A következő oldal a nyugalom és a közízlés megzavarására alkalmas!
Böngészését kizárólag:
látogatóknak ajánljuk!
Ennek tudatában:
Which October? The Glorious Red one of Russia in 1917? Maybe the time is here again? Disintegration, distortion, decline, civil war, violence and terror, but finally from the bloody chaos the brave new world rise up and literally break your freedom on the wheel for the sake of the forever Golden Age.

These Missiles of October come from Belgium with cruel thrash punk attack. They mix punk with thrash metal without guitar solos, like the Oozing Wound in Chicago. It’s not a revolutionary act, just „loud, dirty and angry.” But why angry? Maybe because this little country has 7 governments, 7 parliaments and one king. But why just one? Why not 7?
Name your price digital album and CD and LP

from the album Abisso
“The anarcho-punk (The Ex, Dog Faced Hermans, Rhythm Activism) made an important impact on us, but we don’t belong any movements. Although our lifestyle is perfect anarchism. We haven’t workplace, travelling around the world, working together with people who have values identical with ours, doing own label, etc. We can try to live by our own ideas, it requires much discipline, I think it’s an important trick of the anarchism.”

THE TOWELHEADS – 7″ – AUS, surfin’ on sandwaves (distributed by Anti Fade in AUS)
WET BLANKETS – 7″ – AUS, punk (Anti Fade in AUS)
STRANGE ATTRACTOR – single sided 7″ – Canada, garage rock
MARTIN SAVAGE GANG – 7″ – Swedish garage punk rock
GOODBYE BOOZY INTERVIEW ON RNR666
Speedy Wunderground is a very special little label in London. It was formed in early 2013 by the producer Dan Carey. He worked together with Franz Ferdinand, Bat For Lashes, TOY, Django Django, Emiliana Torrini, The Kills, Kylie Minogue, Tame Impala among others.
The Speedy Wunderground works under strict rules: Dan will produce all releases. All records will be recorded at Dan’s studio. Recording of all records will be done in one day and finish before midnight. Mixing will be done the day following the recording, also in one day only. There will be no lunch break during these days. The core of each song will be a live take recorded in the dark with smoke and lazers and somewhere on each record the Swarmatron (a hand-built analogue synthesiser) will make an appearance. The recordings will appear in limited runs of 250 7”s.

Natalie Bang Bang is a Riot Grrrl. She said it. And made mention of Serge Gainsbourg, David Bowie, Madonna, A$AP Rocky and David Byrne as her top musicians. And picked Loser by Beck as her national anthem. But nevertheless she is just a teen spice girl in soft Madonna style. Maybe this post punk disco track is her first really good song
7″ will be released on 3rd Nov by Speedy Wunderground

THE SKULL is a new band featuring original members Eric Wagner (vocals) and Jeff Olson (drums) of TROUBLE alongside longtime TROUBLE bassist Ron Holzner, guitarist Lothar Keller (SACRED DAWN) and former PENTAGRAM guitarist Matt Goldsborough. THE SKULL formed in 2011 to bring back the unique sound of pioneer doom metal band TROUBLE. They named themselves after its second album.
The Last Judgment, Sometime Yesterday Mourning, Till the Sun Turns Black
from debut album „For Those Which Are Asleep” on November 4 via Tee Pee Records
By the way, TROUBLE is continuous.

High quality raw lo-fi garage punk shit from Memphis, Tennessee by Manatees, debut album, recommended for everybody
„sit n spin” LP on Pelican Pow Wow Wow Records (US)
The pic has been clipped out from Verbicide Mag. It was shot by Josh Miller
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“Clppng: make party music for the club you wish you hadn’t gone to, the car you don’t remember getting in, and the streets you don’t feel safe on.”
After the end of Death Grips, maybe the Clipping from LA is the number one noise hop band. They’ve recorded 2 songs together with special unknown guest stars, e.g. Signor Benedick The Moor. This digital single is free

Is it a one man label or are there a bunch of fanatics?
We’re three people, Mric, Anthony and Marion.
How does it started and when?
It started more than 10 years ago, in 2002, because Room 204, one of Mric’s band, needed a structure, for administration, stuff and, of course, a first disc. Room 204’s drummer had this band that should be released for the world to hear, so we had a second release. Then this other friend had a musical project and, it’s not all so complicated to release albums, isn’t it . In a few years, without really deciding it, we were a label. The real decision was to go on with it.
What was the first release?
Room 204 (minimal jazz rock) is the first album with the name Kythibong on it, but it’s a co-production. Argument (noise rock) was the first release we did alone, as grown-up assuming themselves.
What were the big (or little) surprises, disappointments and mistakes?
Mistake and disappointment cannot really happen the way Kythibong functions. When we release something there is always good-enough reasons for it, a mixture of human-music complicity and, if we’re happy when a lot of other people agree with us that an album is awesome, we’re also fine when it’s not the case. And we love pile up CD boxes to play stronghold and knights. As for surprises, let’s say we’re always a bit surprised that people still want to work with us.
Can you play on any instruments? Have you ever been in a band?
Mric is the only one of us who can play on a guitar with some efficient results. He has two bands, Papaye and Room 204 (math rock/arith-metal), both on Kythibong, because we have no other choices if we want to avoid any big family drama. But actually, they are super great bands, so it’s ok. We’re lucky.
What do you do beside the music business?
Kythibong. And beside Kythibong, Mric is a musician, Anthony has a record shop and Marion is a screen-printer.
What are your upcoming releases?
Up coming next: an EP from The Healthy Boy and the Badass Motherfuckers (always raining)
a new LP from Gratuit (electro-pop) and somewhen soon a super surf album by a newcomer on Kythibong Les Agamemnonz.
Kythibong? What or Who is it?
We forgot, it was too long ago.


After Kraftwerk’s Autobahn here is the „Interstate” by The Pen Test
LP on Moniker Records (US)
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Heavy trip-hop-like music by Canadian band, Dralms
debut 7″ on Fulltime Hobby (UK) and Fat Possum Records (US) and digital single
The starter of publication of sci-fi literature in Hungary, writer and poet Peter Kuczka has written in one of his poem: „We’re just sex organs.” He was a convinced communist until a countryside tour in 1953. During this he so deeply disappointed in the ideology’s practice and practitioners, that became a forbidden writer for many years. „Just stupid assholes everywhere around me” – he could think. And I think the same, if I read the Hungarian press, or see the electoral campaign’s posters.
Their songs’ themes are determined by a special circumstance. The founder, vocalist and accordionist, Martyn Jacques spent much of his early years living above a brothel in London’s Soho. His songs describe pimps, prostitutes, drug addicts, losers and other unsavoury characters in their lurid details. And these details are so commonly lurid, and the words are so vulgar, that often some audience members walk out of his shows. „It’s always funny when people are offended by what I do … after all, I’m just an entertainer” – said Jacques, who dropped out of theology and philosophy course for the sake of music.
They frequently convert literary works. For example: Hoffman – Der Struwwelpeter (as Shockheaded Peter), Brecht / Weill – The Threepenny Opera (as Two Penny Opera), or Frank Wedekind – Lulu (as Lulu – A Murder Ballad). Furthermore they have written a musical comedy about life of Mozart.