Piresian Beach has made her first official video for the song

Diggin’ for Gold

from collaborative cassette of the Slovenian Matthias von Stumberger and the Hungarian Piresian Beach.

Also buy her split 7″ EP with JC Satán here

Click the picture for the event of the RobotDeck & Gazsi Rap Show „H2O” record release:

Click the play button for the most abstract hungarian hiphop shit by RobotDeck & Gazsi Rap Show:

RAKTA – 4 BRAZILIAN GIRLS PLAY GOTHIC PSYCHEDLIC ROCK WITH TRIBAL RHYTHMS

+ GUSTAVE TIGER + WORMKIDS + NORMS

DEC 5  20:00 > BUDAPEST > MÜSZI > TICKET: 1000

RAKTA EURO TOUR

What if some crazy guys from the Finnish countryside (under the not so extraordinary name ‘The Achtungs‘) decide to play raw, shitty but even more intense garage punk than the good old Reatards? Well, if The Achtungs were only half as great as they are, they would still make their entry to my top punk records list of 2014 with their Full of hate LP (from Going Underground Records). Personally, I have always been fond of The Reatards but I think Jay Reatard’s songwriting skills were much more prominent on his later solo albums. So, what struck me about The Achtungs is that they preserve the overdriven garage punk sound but at the same time they manage to write really catchy songs – and by this I mean great and painful ones. In a quite thorough interview with singer Joni at It’s Psychedelic Baby he talks about the beginnings as simple as possible: ‘In the summer of 2010, I was really bored with the band I was in, Pill Poppers, and I wanted a band that sounded like The Reatards.  So, I formed one’.

It probably makes no sense to tell any more about them….in case the concept ‘great songs with a ferocious sound’ does not impress you, then why are you reading this anyway? Haha. But seriously, give them a listen. I think both of their releases have already been sold out, so we can only hope for a reissue or something… but as long as we have such great bands around, there’s no need to worry about punk at all.

[bandcamp width=100% height=120 album=485566165 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]

Swedish cold wave synth pop songbird Miss Molly Nilsson‘s first 7″ single is SEX with an Ugly Girl

and a Wrong Boy was recently released on Dark Skies Association

Bim Thomas, the drummer from blues punk duo Bassholes (were a main influence for The Black Keys), some years ago he makes excellent harsh blues music under the name of OBNOX. His brand new song, Infinite Trash

His latest album was released this year on 12XU Records (US)

RNR666 PARTY +
HUNGARIAN UNDERGROUND X-MAS MARKET
DEC 6 9PM  BUDAPEST  CORVIN TETŐ

CRANK – French 60s style psychedelic garage rock on sound of the 90s by ex/members of Jack of Heart, Liminanas, Sonic Chicken 4.
XTREME BLUES DOG – one man blues trash band from Sao Paulo, Brazil.
HÚRKÚRÓK – Hungarian primitive blues and harsh rock and roll, like The Mummies or The Ultra-Twist.

HUNGARIAN UNDERGROUND X-MAS MARKET >
RECORDS, CASSETTES, CDs, DVDs, T-SHIRTS, POSTERS

+ DJs: PYRAMIDS DON’T EXIST, RNR666

TICKET: 1500 HUF-, IS A TOMBOLA COUPON!

Dope Body. Noise rock.  It’s exactly like the picture

„Lifer” album on Drag City (US)

Euro Tour: Jan-Feb.  Vienna: 5 Feb

*

Acid Baby Jesus: noisy, jingling  psychedelic garage pop with strong rock sensibility, influenced by complex folk history of Greece

„Selected Recordings” album on Slovenly Recordings (US)

“It’s noisy, with keyboards, you wouldn’t like it”

Wild Grass by Gentle Friendly

from the album ” K A U A ‘  I   O’O  A ‘A” on Fat Cat (UK)

Gentle Friendly started when David took some scrapped drums and guitars out of a skip in East-London. Cleaned the instruments and invited Daniel to “come and mess with the stuff” while he played his broken Casio MT-40. Eventually the guitars stayed out of use.

29 years old British poet, playwright and rapper Kate Tempest‘s second Speedy Wunderground single is a duet with Londoner fellow Loyle Carner. In the Guts his acid jazzy sound blends with Kate’s hard, electronic beats. This is a special release because the label’s strict order of recordings: recording in the dark with smoke and lazers, need to use Swarmatron (a hand-built analogue synthesiser), recording time is one day, finish before midnight, no lunch break, mixing on the next day.

I can’t refrain to doing list Tempest’s main influences: Virginia Woolf, MF Doom, Samuel Beckett, John Coltrane, James Joyce, Roots Manuva, William Blake, Wu-Tang Clan, Milan Kundera, GZA, Knut Hamson, Mos Def, Yeats, Nina Simone, Carson McCullers, The Knife, Kafka, Scroobius Pip, and Confucius… Her first solo album „Everybody Down” was made together with the producer Dan Carey (Franz Ferdinand, Bat For Lashes, TOY, Django Django, Emiliana Torrini, The Kills, Kylie Minogue, Tame Impala, founder of Speedy Wunderground). It was released this year on Big Dada Records. „Alternative hip-hop” trio Sound of Rum was her previous project. It had a jazzy taste thanks to the drums and guitar.

Kate Tempest Euro Tour Nov-Dec. Vienna: 1 Dec

On Clapton Pound at dawn

The pond was calm
the sky was new
your voice was soft your lies were true.
You were me and I was you
and I was going blind with you.

You told me I reminded you
of Venus when I smiled at you,
or angels that go flying through
the paintings in the quietest rooms
of galleries. Renaissance girls,
all soft curves and floating curls.
We sat there and the light shone through
the leaves and we admired the view.

I loved you.
I had died for you
that night,
I’d closed my eyes
and through the gaps
I’d sought your silhouette.
I’d given up my mind for you.
We did what all our kind would do.

You sat beside me, finding new
ways to look away.
You kissed me. It was lighter fuel.
It burnt the night away.
And when I took my eyes off you
I saw that it was day.

More Speedy Wunderground’s recordings