Piresian Beach has made her first official video for the song

Diggin’ for Gold

from collaborative cassette of the Slovenian Matthias von Stumberger and the Hungarian Piresian Beach.

Also buy her split 7″ EP with JC Satán here

RAKTA – 4 BRAZILIAN GIRLS PLAY GOTHIC PSYCHEDLIC ROCK WITH TRIBAL RHYTHMS

+ GUSTAVE TIGER + WORMKIDS + NORMS

DEC 5  20:00 > BUDAPEST > MÜSZI > TICKET: 1000

RAKTA EURO TOUR

RNR666 PARTY +
HUNGARIAN UNDERGROUND X-MAS MARKET
DEC 6 9PM  BUDAPEST  CORVIN TETŐ

CRANK – French 60s style psychedelic garage rock on sound of the 90s by ex/members of Jack of Heart, Liminanas, Sonic Chicken 4.
XTREME BLUES DOG – one man blues trash band from Sao Paulo, Brazil.
HÚRKÚRÓK – Hungarian primitive blues and harsh rock and roll, like The Mummies or The Ultra-Twist.

HUNGARIAN UNDERGROUND X-MAS MARKET >
RECORDS, CASSETTES, CDs, DVDs, T-SHIRTS, POSTERS

+ DJs: PYRAMIDS DON’T EXIST, RNR666

TICKET: 1500 HUF-, IS A TOMBOLA COUPON!

makrohang full impro set
nov 14 8pm  budapest  gólya

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111th RNR666 Party
Nov 10 9pm  Budapest  Trafik Klub

RATZINGER (H) – torturing duo of István Fényfehér (Ápolók, Büdösök, Digép) and onemanblackmetalband Unaussprechlichen Kulten. Debut.

POINT INVISIBLE (F) – classic industrial with scrap metal and broken synths, like SPK, Einstürzende Neubauten, F.A.R., Phycus, Whitehouse

KLAUS LEGAL (F) – no wave industrial with small synthesizers, a small drum machine, one mic and some effects, influenced by Suicide, DAF, Crash Course in Science, Throbbing Gristle, Nurse with Wound

Ticket:  1000

SPECIAL WRESTLING NIGHT THIS THURSDAY BUDAPEST!

TERRIBLE TED (H)
heavy weight catch as catch can

BAZOOKA (Gr, Slovenly Records)
heavy psychedelic garage rock attack

109th RNR666 PARTY NOV 6  9PM  BUDAPEST  TRAFIK KLUB

TICKET: 1500

from an interview in reference to the 109th RNR666 Party.
There will be a Greek psychedelic garage rock bulldozer
BAZOOKA (Slovenly Records).

– If you were able to start a super band with anyone you wanted, then:

Guitar: James Hatefield
Bass: Sting (of course)
Drums: Dhalsim from Street Fighter
Keys: Vangelis (who also comes from same city: Volos)
French Horn: Gibby Haynes (Butthole Surfers)
Spoons: Hasil Adkins (one of the earliest one-man bands)
Groupie: Belladona (Best orgasmic analist in 2002, but just nominated orgasmic oralist in 2003. In 2006 just nominated favourited ass, but in 2007 she won the title of the dirtiest girl in porn.)
Ugly groupie: Barbara Streisand
Drug supplier: Steve-o from Jackass
Bus driver: Charles Manson
Tour manager: Hugh Hefner (founder of Playboy magazine)

+ TERRIBLE TED!

NOV 6 21PM  BUDAPEST  TRAFIK KLUB  TICKET: 1500

full interview

„Ne verje ki, ne rázza ki,
Erikával szivassa ki!”*

TERRIBLE TED in
Milk Bunny

in RNR666 Party with BAZOOKA (Gr, Slovenly Records):
heavy psychedelic garage rock attack
on double guitars double drums’n’bass

NOV 6 21PM  BUDAPEST  TRAFIK KLUB  TICKET: 1500

*Untranslatable Erika vacuum cleaner’s slogan from the 70s.
Sense: Don’t jerk off, Erika sucks it!

Next RNR666 Party with Greeks

BAZOOKA (Slovenly Records)
heavy psychedelic garage rock attack
on double guitars double drums’n’bass

+ heavy weight catch as catch can by
TERRIBLE TED (H)

NOV 6 21PM  BUDAPEST  TRAFIK KLUB  TICKET: 1500

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The American musician Saul Conrad plays „hard to categorize”, perhaps „experimental chamber pop”  or „other” music on piano and guitar with surprising key changes, nonsensical rhythmic shifts, overlapping melodies, and folk elements.

His third album (read about!) – which is more popular than previous two (listen to!) – was influenced by Kirkegaard and William Blake, Townes van Zandt and Blaze Foley, Harry Nilsson and Syd Barret, and more.

double live in Budapest

Oct 23, 8pm: Hátsó Kapu + Fancy Dress Family, price what you think
Oct 24, 9pm: Müszi, ticket: 800 HUF

 Further shows in Europe

10/25 Vienna, Austria – Mo.e   10/26 Lyon, France – Kraspek Myzik
10/29 Hamburg, DE – Hasenschauke   10/30 Berlin, DE – Madame Claude
10/31 Leipzig, DE – HanDstand und Moral

Shit!, I said, all chips on the table! . Before Swans took the stage, on board the ship at anchor, watching the purplish clouds, we talked or held our breath in reverence, and to get the best night out of sweet smoke, because if there’s a time to tune in – this must it. And let me make this a disclaimer: maybe I was tuned in too much; my shoes smell like a pair of rats; I often badly miss contact at shows where everyone is facing the stage, like an altar; and most relevantly, I hadn’t got into their reunion albums deep enough.

Swans really hurt, ears and heart, by their sheer volume. The ship A38 is famed for its excellent sound, but, strangely, Gira’s sonorities got trapped in the mix – coming loud and clear, but without the depth to his voice. Count crashes to 22 – a lighthook poises! or some such intermission. Huge blocks – a bit short of details -. cold shiny storm of steel, bluesy downcast drudge, and in the center: immediacy. They bared themselves – were hypnotic, to be kind – or focused beyond bias. Earplugs came with entry, but using them would have felt like betrayal.

Levels of experience (and how they lapsed):
shimmering transfusion swept legs, twitched back and back, off with poses at the joints, I was shaking + the sense of being in the moment (but noone really broke loose)-> communal
release and abandon -> surfing, fun in the sun ( more fun fun fun!) -> magic (a few waves) -> [magical] fairy tale (alas,only a few moments of that…you know, mythic reenactment – but maybe I went to the wrong show)

It was great, it was real, it promised rapture, maybe companionship, but I didn’t totally get it.

Back in the streets, I stopped by an old man playing a woodbox guitar and singing just beautifully to it. Bucolic songs,ballads – almost myths. Thank you, Swans! Thank you, Mr Péter Lóczi!