Masters of Puppet

Singer Andy Savage said

As I see it, humanity is something that’s partly performed and party instinctual. Like puppets, we sometimes are controlled by parts of ourselves that we never really become acquainted with, but are always there. This song is me confronting that shadow

BRAND NEW VIDEO by PARQUET COURTS. Directed by Phil Collins

ALBUM HUMAN PERFORMANCE OUT ON ROUGH TRADE

LISTEN TO 2nd ALBUM ON BANDCAMP

TOUR AUG IN US / OCT IN EUROPE

From The Better Half of England Lost

Once upon a time somewhere in a disintegrating country which have been defeated by mass stupidity there is a little DIY record label OneC Records. They are interested in punk/experimental rock, and released such first class bands as The Pheromoans, Ivan The Tolerable, Bilders, Queer’d Science or Year Of Birds. Or GAD WHIP, a strange post punk no wave band

gadwhip

A track from the new album, a particular combination of drums, double bass, synth, vocals

It will be released 01 July 2016.

The Devils from the South-Italian Hell

Primitiva   Primordiale   Essentiale

devils1

THE DEVILS formed in 2015 in Naples. In the beginning they did countless shows in Italy DIY and France where they meet up with Jim Diamond from the DIRTBOMBS who recorded their first full Lenght album, the same day Reverend Beat-Man from VOODOO RHYTHM RECORDS was in the same town and got their recordings and signed them up on the label.

Sin,You Sinners is an album with a huge wall of GUITAR FUZZ BLUES ROCKABILLY NOISE TRASH ROCK’N’ROLL TORNADO, vocals as Stupid and Minimalistic as it gets, this is NO BOB DYLAN POETRY, thats pure EVIL and Lots of Fun

 

 

THE BIG MOUNTAIN COUNTY INTERVIEW

an island, close to the sea, full of sun and green

in a huge and chaotic, besides beautiful and unique city

 

BIG MOUNTAIN COUNTY is a relatively new but great psych garage rock band somewhere in Rome. They are blessed with ability to write hits, even in the manner of Butthole Surfers. Moreover the bassplayer Wolfman Bob is our old comrade. He played at rnr666 party in Budapest with three different bands: wild garage rock Ultra Twist, lo-fi punk Trio Banana, and of course Big Mountain County.

bmc_budapest

How you have become musicians?
As for many other musicians: listening to music at home, trying to play any instrument and finally being completely captured by the desire to play over and over.

Your hometowns are Catania, Bari, Pescara, Rome. There are long distances between these cities. How you have got together? You understand each other without problem, or there are difficulties because of the language differences?
We come from different and quite far towns, but there are no particular language differences. So no communication problems. Alessandro and Bruno have met each other in Catania, their common hometown. They met Bob in a music festival, where they were performing with their respective past bands, Bruno and Alessandro with “The Boliers” and Bob with “The Ultra Twist”. A few years later, they all moved to Rome, where Alessandro and Francesco met each as roommate. They began playing guitars and writing songs together and soon they decided to start a new band, involving Bruno as drummer and Bob as bass player. We believe that the difference between our origins is one of the keys of the band. Alessandro and Bruno come from Catania, a hot and spirited city, Bob comes from another lively and dynamic town, whereas Francesco comes from a quiet village close to Pescara. These differences reflect on our music styles. So yes, we have different languages, but just “musical languages”. However, this is not a problem, but an unbelievable resource, since playing and writing together is a continuous mutual exchange, which every time creates new songs, new sounds and new atmospheres. We definitely like to be different but to appear as a unity on the stage.

You spent a month together to produce a better sounding in a house on the base of Etna. Was the session successful? Could you use that under ground latent energy?
Definitely yes! We live in Rome, a huge and chaotic (besides beautiful and unique) city. Sometimes we need to escape from the rhythm of the city life in order to find new inspirations. Therefore, when we had to complete our first LP Breaking Sound, we decided to stay a month in a nice house on the base of the Etna, where we had more time and the right atmosphere to write new songs and find out new sounds. Those days were relaxing, inspiring and stimulant. That was the right place in the right moment.

In some songs (e.g. Brain Machine) I have discovered the strong influence of Butthole Surfers. Are there accidents, or are you also big fans of those funny guys?
We know Butthole Surfers and we like their music. Anyway, we do not know if they directly influenced some of our songs. As said before, we are four and we have various and very different musical influences.

Psychedelic music is very trendy nowadays, almost every second village has a psych fest. What do you think about this revival?
We like psychedelic music, we play psychedelic music, so we follow the trend… Psych music surely is not new, but we believe that many bands are proposing new different, modern and interesting interpretations. We think that this kind of music can be fully expressed just during live shows. Therefore, we promote the spread of psych fests and we hope every second village will have more than one psych fest. We are so sure about this that we are contributing to the organization of the first Rome Psych Fest, which will be held in next October.

As band what was your biggest show experience?
We had many unforgettable shows, but if we have to choose one, that is Sarajevo in 2013, during our first European tour. We were very far from home, not only because of physical distance, but also because of history and culture. However, we felt at home. People got really involved by our show and our music. The atmosphere was perfect, in poor words, unforgettable.

Where is Big Mountain County geographically?
As for songs, pictures, or poems, each can have its personal idea about the Big Mountain County. Therefore, we cannot say where it is. In our minds, it is probably on an island, close to the sea, full of sun and green lands. Do you know any place like this?

What are your plans for the future?
In this period, we are promoting out live CD Anachronicle, out for Area Pirata Records. In the same time, we are writing new songs to record our second studio LP, which will be more psych and experimental than “Breaking Sound”. Our idea is to record in autumn and release the album at the beginning of 2017. Meanwhile, in next October, we will share the release of a 12 inches split, out for Annibale Records with the Italian band “Lame”, a project of Stefano Isaia from Movie Star Junkies. It will contain two new tracks by Big Mountain County, one to dance and one to dream.

And for the past? What would you change in the history if you could?
To answer this question is not easy. Everything could be better, but worse also. We think that what is done is done. Fortunately, just music and songs remain. We prefer to learn from the past in order to make the future better.

 

pic: Gyerage. More BMC at RNR666 Party in Budapest pics

Ninni Forever

Finnish Lunatic Synth Pop

Ninni Forever Band

The Best

Kuustoista nollakolme

from the album „Lätäkössä” will be released in the fall 2016 on Svart Records

Ninni Forever Band is Ninni Luhtasaari of Tampere. She makes hats too.

UPCOMING SHOWS

09.06.2016 Tavastia, Helsinki /w Räjäyttäjät, U.F. Ojala
29.06.2016 Lepakkomies, Helsinki /w Neiet
13.08.2016 TBA Pori

Trouble Vs Glue

Trouble Vs Glue is an Italian duo from Rome where usually Toni plays on drums, and Lady Maru trifles with keys and sometimes strings.

troublevsglue

They said „sound like the Residents with a punk drummer, in others like a weird Japanese electronic pop band from the ’80s, while some other tracks bring us back to the no-wave of Lizzy Mercier Descloux and DNA.” I tell: Trouble Vs Glue is such as the electro-clash duo Stereo Total in experimental mood.

A song from the third album featuring David Lemoine from French electro punk band Cheveu

This Age will be released this June on No=Fi Recordings (I)

You can find a pretty different musical background behind the members. Toni has a noise rock band Hiroshima Rocks Around, and his solo project Mai Mai Mai is an experiment based on Italian Occult Psychedelia, which is rooted in Italian horror movies, giallo films, spaghetti westerns and local folklore. His debut album was mixed by Jamie Stewart, aka Xiu Xiu.

Lady Maru is a techno and deep house musician and DJ. Very interesting her collaborative no wave nu disco project with Cascao (who also is a contributor on the new album of T Vs G). They have a deep house cover of Death Valley 69, a masterpiece of Sonic Youth and Lydia Lunch. Find it!

 

inspired by heartbreak, mortality, and financial struggle

Monster Treasure is a punk noise rock band sometimes with a very little black metal feeling in Stockton, California. In its very early years in the middle of the 19th Century the city was called Mudville.

Their songs are inspired by heartbreak, mortality, and financial struggle

Debut album by Leisure & District Records (UK)

Some shows in UK in May

Thurs 19th – LONDON at The Old Blue Last with Living Hour (CAN)
Fri 20th – NORWICH at The Owl Sanctuary
Sat 21st –  LONDON at The Lock Tavern, FREE ENTRY
Mon 23rd – LONDON at The Lexington with NOTS (US, Memphis, Goner Records)

A free download song from the debut album

30 years of The Monsters

This year The Monsters – the band of Reverend Beat Man, Voodoo Rhythm Record boss and his male club – turn 30 years old. To celebrate this nice round anniversary, they re-released their – by now totally unavailable – 1995 10”, originally released by the German Jungle Noise Records on CD and LP, supplemented by 7 more songs.

beat-man

This was the first Monsters album where they used electronic bass instead of the double bass, and since their guitarist left the band, Beat Man remained alone at that position. So he distorted the hell out of his guitar. In addition the band decided that they will not deal with studios anymore, and record the whole album at home on an AKAI 1224 recorder, and that should be it!

This way, they nicely departed from the psychobilly sound of their first two albums, in a GOOD way, the RIGHT way, that is none other than the TRASH FILTH BRAIN-FUCKING PRIMITIVE ROCK N ROLL!!!

And on the occasion of this anniversary release, let me tell you a personal story.

Exactly 10 years ago in 2006 I found out that The Monsters will play in Graz. I told my – then girlfriend, now beloved wife:
– We are going!
– OK, but we hardly have any money.
– Let’s hitchhike! Budapest-Graz is not that far.
– OK.

To tell you the truth, none of us thought that we would ever hitchhike abroad for a concert; we were no teenagers, not even twenty-somethings, and we were over thirty. We had some pretty good rides though, the last one being an Italian owner of a sweets shop in a suit who was heading exactly to Graz to attend his new shop before its opening. He insisted that we visit his store too. We didn’t really feel like doing so, but said SURE. It was getting dark already by the time we got to the pastry shop, he opened the store, all three of us went in, he was explaining all kinds of things to us while everything was foiled up (there was some renovation going on), and this Italian guy in suit with a mustache.  The whole thing was as we were in a gore movie, so I told my girlfriend, let’s get the hell out of here! We left our guy there and stepped outside to the street, and who was walking across the street? The Monsters! Of course we told them right away that we are their fans from Budapest and we are heading to the concert! A magnificent moment, I will never forget: Marta all smiley, hugging Beat Man and padding his shoulder. And him, being a gentleman, offered to take us in to the concert. Danke Schön! This way we could also buy some records.

The concert was extra super, both of us had quite some vodka, and the whole audience was really getting into it, dancing and so on. Everything was just wonderful except for the one manager who discovered us sleeping in behind one of the speakers after the concert, and kicked both of us out.  Afterwards things became a bit torturous; going through the trash early morning at the railway station (I found a handful of unopened chocolates – though melted) as while dancing during the show I managed to lose all our sandwiches that were in our pockets. Then we came across an old (Hungarian!) gypsy who advised us to go back through Wien. Then we were on the train from Graz to Budapest in the morning, no tickets of course, trying to hide from the conductor till we are in Hungary, then my good ole trick with the conductors there, and we are already at home. True, it was tiring, but it was worth it! And I am not only saying this after 10 years, but also when we got home back then, and opened up our first beer in the kitchen.

Here are two little videos from this concert:

And now a few words about the album. How would a record be like that starts out with ‘Psych-out with me’? Awesome! Brutal party R n R! Then the song ‘Searching’, hard as Venom; then pot hymn ‘Pot’, then one of my favorite, ‘It’s not my way’, perfect fast pogo punk song!!! And damned be whoever’s legs don’t start moving after listening to ‘The Rock around the tombstone’ – he or she is hopeless! Then a fucking great Rolling Stones cover, ‘Play with fire’, and so on. Oh yeah, and all bonus tracks are also great! It’s worth keeping in mind that this brutal rock n roll record was recorded and put out during 94-95!

Note: Today it is worth to follow Voodoo Rhythm’s own Instagram page, where you can continually discover such treasures like this photo down here:

beat-boy

So a lot of things were trendy during the 90s, but a record sounding like this surely wasn’t! On one side all the Seattle rip-offs were going on, techno and all kinds of electronic dance music was coming in, and everyone was trying to figure out how to force together genres that were completely different from each other. On the other hand only people who really knew and liked the Ramones and Moorhead were wearing their t-shirts, even if they could not pronounce their names correctly (Motorhead or Matorhid were in quite widespread usage, and I for one did not know a single soul that pronounced the Ramones Ramonz vs Ramonez). Of course back then I did not even hear about The Monsters.

*

magyarul

acupuncture

khost

khost is an industrial doom metal duo from Birmingham, UK, but it has been named after a city and a region in Afghanistan. An EP titled Needles Into The Ground will be released soon on Cold Spring Records with three songs from their latest album which have been de/re-constructed by Justin K. Broadrick of Godflesh, and one unreleased song.

Yes, this is metal, but literally.

Godflesh is one of the most influential industrial/drone metal bands. It was founded by Justin K. Broadrick (who was the guitarist of Napalm Death in 1985-86) and G.C. Green in 1988. The band dissolved in 2002, and reformed in 2009.

Justin Broadrick (1985-86: guitar) grew up in a hippie commune. He was about 8 when he heard Lou Reed’s Metal Machine Music at first. After Napalm Death he was influenced by 80s hip-hop sound and acid house. His other bands: Final (power electronics, dark ambient, founded in 1982),  Techno Animal (industrial hip-hop with Kevin Martin from GOD, 1991), Jesu (post-metal, 2003), Pale Sketcher (“shoegazy dream-pop that’s almost techno”, 2010) and more

One man industrial punk techno

use1

by Nicolas Belvalette of Headwar under alias Usé

who can even beat two guitars at same time

album on Born Bad Records (France)

He is the head of Parti Sans Cible (Party Without Target)

YOU ARE THE MAYOR, YOU ARE THE FIST!

The party got 2,17 % on Amiens’ local election in 2014.

more PSC videos

murder rape torture

anybody by self-interest, occassionally – it’s a crime

institutionally, on ideological base, en masse – it’s a policy

from the new album of French garage rock band Sapin

on Howlin Banana Rds & Beast Rds

„you want to know something? We are still in the Dark Ages. The Dark Ages — they haven’t ended yet.” – Kurt Vonnegut

Western Decadence

social criticism by Anal Blasphemy one-man-metal-band from Finnland

analblasphemy

black death with a flavour of Finnish HC

 from the album Western Decadence on Iron Bonehead Productions


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