A következő oldal a nyugalom és a közízlés megzavarására alkalmas!
Böngészését kizárólag:
látogatóknak ajánljuk!
Ennek tudatában:

Movie Star Junkies are the Italian Nick Cave & The Bad Seeds. Punctum.
The new album „Evil Moods” lyrically was inspired by hard-boiled noir fictions, e.g. works of Dashiell Hammett, James M. Cain and Jim Thompson, of whom a song there is. Released by Voodoo Rhythm Records (Switzerland)
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The next metal LP by American avant-garde experimental label Thrill Jockey Record is a split of The Body and Sandworm. The Body, „masters of expansive expressions of pure sadness”, really heavy and industrial metal. Sandworm is just a simple black metal punk band

Mr. Gaymer from Dartford, UK, teachs English at an university in Beijing, but after school he plays Misfits influenced blues trash as GUIGUISUISUI together with his some co-characters. He is 138, of course.
All the backing beats are composed on a Nintendo Gameboy or from found 8-bit games. Mixed and co-produced by luminary Beijing producer/sonic journeyman extraordinaire, Yan Haisong (P.K.14, Dear Eloise). Debut 7″ on Genjing Recods (PROC)
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Liam Hayes aka Plush has made various pop albums with minimal and maximal orchestration from the mid-90s. His progressive bubblegum rock and roll album is coming soon on Fat Possum (US)
60s style French psychedelic pop with hard beats, strong cinematic feeling and Morricone influence by Emile Sornin, member of Hyperclean, under the name of Forever Pavot
Joe & Rose feat Catherine Hershey
from the album Rhapsody on Born Bad Records (France).
Pavot means papaver, it’s a type genus of poppies.

SUDAKISTAN, Stockholm based latino punks
7″ on PNKSLM (UK/SWE)
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PINK SECTION was a short-lived synth-punk band with Dadaist aesthetic by 4 students of San Francisco Art Institute in 1979/80. This first-time retrospective LP collects the band’s rare 1979 single, the self-titled EP, unreleased demos, and live materials
Carol and Judy went on to form the Inflatable Boy Clams after Pink Section split. The bass and sax player Matt makes mechanical music and sound installations nowadays.

Dope Body. Noise rock. It’s exactly like the picture
„Lifer” album on Drag City (US)
Euro Tour: Jan-Feb. Vienna: 5 Feb
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Acid Baby Jesus: noisy, jingling psychedelic garage pop with strong rock sensibility, influenced by complex folk history of Greece
„Selected Recordings” album on Slovenly Recordings (US)
from the album ” K A U A ‘ I O’O A ‘A” on Fat Cat (UK)
Gentle Friendly started when David took some scrapped drums and guitars out of a skip in East-London. Cleaned the instruments and invited Daniel to “come and mess with the stuff” while he played his broken Casio MT-40. Eventually the guitars stayed out of use.
29 years old British poet, playwright and rapper Kate Tempest‘s second Speedy Wunderground single is a duet with Londoner fellow Loyle Carner. In the Guts his acid jazzy sound blends with Kate’s hard, electronic beats. This is a special release because the label’s strict order of recordings: recording in the dark with smoke and lazers, need to use Swarmatron (a hand-built analogue synthesiser), recording time is one day, finish before midnight, no lunch break, mixing on the next day.
I can’t refrain to doing list Tempest’s main influences: Virginia Woolf, MF Doom, Samuel Beckett, John Coltrane, James Joyce, Roots Manuva, William Blake, Wu-Tang Clan, Milan Kundera, GZA, Knut Hamson, Mos Def, Yeats, Nina Simone, Carson McCullers, The Knife, Kafka, Scroobius Pip, and Confucius… Her first solo album „Everybody Down” was made together with the producer Dan Carey (Franz Ferdinand, Bat For Lashes, TOY, Django Django, Emiliana Torrini, The Kills, Kylie Minogue, Tame Impala, founder of Speedy Wunderground). It was released this year on Big Dada Records. „Alternative hip-hop” trio Sound of Rum was her previous project. It had a jazzy taste thanks to the drums and guitar.
Kate Tempest Euro Tour Nov-Dec. Vienna: 1 Dec

On Clapton Pound at dawn
The pond was calm
the sky was new
your voice was soft your lies were true.
You were me and I was you
and I was going blind with you.
You told me I reminded you
of Venus when I smiled at you,
or angels that go flying through
the paintings in the quietest rooms
of galleries. Renaissance girls,
all soft curves and floating curls.
We sat there and the light shone through
the leaves and we admired the view.
I loved you.
I had died for you
that night,
I’d closed my eyes
and through the gaps
I’d sought your silhouette.
I’d given up my mind for you.
We did what all our kind would do.
You sat beside me, finding new
ways to look away.
You kissed me. It was lighter fuel.
It burnt the night away.
And when I took my eyes off you
I saw that it was day.
More Speedy Wunderground’s recordings

will published by Svart Records (Finland). It’s in English.
„I craved life metal. Heavy metal for life. And “heavy”, for all you smart alecks out there, is not a prefix. Heavy metal is not even a genre. Heavy metal is a realm. Swear the oath. The Force is heavy metal. Mental Funeral is heavy metal. A Blaze in the Northern Sky is heavy metal. If it doesn’t work as heavy metal, it’s fucked, it fails, full stop.”
e.g. the Swiss Coroner in East-Berlin in 1990
ps: there’s no word Isten in the Finnish language, so they took a Hungarian dictionary, and seek out the equivalent of Jumala (God).
Jonathan Kingsley Seilman, musician, arranger and producer from Nantes, known for his previous project, This Melodramatic Sauna, and its collaborations with The Patriotic Sunday, Birds Are Alive, and Sieur & Dame, etc. His brand new band is Le Feu, a collaboration with My Name Is Nobody, Binidu and Fordamage members. The most simple phrase is: indie pop, but French, because I like it better
Is This Love?
from the album Playgrounds and Battlefields

Easy Aussie pop music by Hierophants, their single will be released on such great garage rock and punk labels as Goner (US), Goodbye Boozy (I) and Anti-Fade Records
The members also are in Ausmutenats (synth-punk) and Frowning Clouds (psychedelic garage folk rock)
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Most fashionable garage rock from the end of the 60s. I can’t compare them to no one, so much not, that I have successfully discovered the Sex Pistols, the Clash, even the Joy Division in their music, but they haven’t to do with these, because they rather tell about Chuck Berry, John Lee Hooker, Rolling Stones or Jesus & Mary Chain (!?), but let’s say, you mix the Stooges with Black Lips, grate a Spanish male singer with twang in it, and sprinkle lot of vocals on it. This is the essence of Davila 666 from Puerto Rico. I have written it when they played in RNR666 Party in Budapest some years ago. Posthumous single collection on LP, CD and cassette on Burger Records (US)