„I like rotten expensive arrogant self-destructive white male culture. Punk was too energetic and positive for me.” Ben Wallers

The Wall is recognized as one of the most famous concept albums of all time. Bass guitarist Roger Waters conceived the album as a rock opera during Pink Floyd’s 1977 In the Flesh Tour, when his frustration with the audience became so acute that he spat on them. Its story, which follows themes of abandonment and personal isolation, explores Pink, a character whom Waters modeled after himself and Syd Barrett who one time was the main songwriter of the band, but was fired owing to psychedelic behaviour in 1968. Later he turned into a silent mad. Well, Pink’s life begins with the loss of his father during the Second World War, and continues with abuse from his schoolteachers, an overprotective mother, and the breakdown of his marriage; all contribute to his eventual self-imposed isolation from society, represented by a metaphorical wall.

Ben Wallers said about: – I don’t find Roger’s lyrics embarrassing if I listen to The Wall with my Mom; but if I listen to Animals with my Dad, I get embarrassed and have to go to the toilet, sorry I mean bathroom.

Anyway Waters is the really interesting character for me. A hopeless case, an utter shit-head. Brilliant character actor and composer. But I have to confess it was burnt into me at age 11/12/13 when I got into ‘Dark Side of the Moon’, ‘A Collection of Great Dance Songs’, ‘The Final Cut’ and ‘The Wall’. I loved them unquestioningly.

So much so that he and Alastair Mackinven also from Country Teasers now show you THE DARK SIDE OF THE WALL on their song for song interpretation triple album under name of THE STALLION.

Apropos of their work they quote inaccurately the cop who shuts the jailcell gate on Woody Allen’s character in „Deconstructing Harry”: – Let me give you some advice: YOU’RE IN DEEP SHIT.

It will release soon on IN THE RED RECORDS (US)

GREAT BUY, CRUEL WORLD!

There was a pretty boring „dream-pop outfit called Mezzanine Owls” in LA. Two of them (Zeitlin – guitar, Mu – drums) have founded ALPINE DECLINE, moved to Beijing to teach on Communication University of China, and reborn as a thrilling

nightmare pop / smokegaze / rust punk / acid greenhouse band

New album Life’s a Gasp by Maybe Mars Records (China)

My favorite electro Scotch, Jonnie Common, after amazing debut and too perfect and dry second, now here is his crazy third album, made exclusivley from sounds of his kitchen. It started with an oven door.

„The oven in my flat at the time made a really great thud noise when you shut the door, and I thought I really want to hear this as a kick-drum in a song.”

That one idea escalated into a whole album Kitchen Sound. It will be released with hishandmade fridge magnets soon on Song, by Toad Records.

More Oven is like a Mouse on Mars

I also had speed metal years, but those were little different, but after came the speed years, and those were similar

Prostitutes – The Speed Metal Years C-30 by overview ltd

silly experimental pop by Takako Minekawa (J-pop diva) + Dustin Wong (Hawaiian born half-Chinese / half-American guitarist)

She He See Feel

from their second album Savage Imagination
on Thrill Jockey (US) and Plancha Records (Japan)

More info about them + album review +
short Takako Minekawa interview here

The American musician Saul Conrad plays „hard to categorize”, perhaps „experimental chamber pop”  or „other” music on piano and guitar with surprising key changes, nonsensical rhythmic shifts, overlapping melodies, and folk elements.

His third album (read about!) – which is more popular than previous two (listen to!) – was influenced by Kirkegaard and William Blake, Townes van Zandt and Blaze Foley, Harry Nilsson and Syd Barret, and more.

double live in Budapest

Oct 23, 8pm: Hátsó Kapu + Fancy Dress Family, price what you think
Oct 24, 9pm: Müszi, ticket: 800 HUF

 Further shows in Europe

10/25 Vienna, Austria – Mo.e   10/26 Lyon, France – Kraspek Myzik
10/29 Hamburg, DE – Hasenschauke   10/30 Berlin, DE – Madame Claude
10/31 Leipzig, DE – HanDstand und Moral

The American musician, Saul Conrad plays „hard to categorize”, perhaps „experimental chamber pop”  or „other” music on piano and guitar with surprising key changes, nonsensical rhythmic shifts, overlapping melodies, and folk elements.

His third album (read about!) – which is more popular than previous two (listen to!) – was influenced by Kirkegaard and William Blake, Townes van Zandt and Blaze Foley, Harry Nilsson and Syd Barret, and more. Sycamore, from his 1st album

10/19 London, UK – The Windmill, Elliot Smith tribute night
10/20 Ford, Argyll, UK – Ford House   10/22 Avellino, Italy – Godot Art Bistro
10/23 Budapest, Hungary – Hátsó Kapu   10/24 Budapest, Hungary – Müszi
10/25 Vienna, Austria – Mo.e   10/26 Lyon, France – Kraspek Myzik
10/29 Hamburg, DE – Hasenschauke   10/30 Berlin, DE – Madame Claude
10/31 Leipzig, DE – HanDstand und Moral

The Dale Cooper Quartet is a trio, of course. But they never play as a three piece band naturally, because there’re The Dictaphones. The band originally formed as a quartet for an improvisation night in Brest (France) in 2002 in order to play a strange mix of Angelo Badalamenti and the German slow-core-jazz band, Bohren & Der Club of Gore style music. Mysterious, dark, smoky, jazz, exactly like a film by David Lynch. While they’re also under influence of Bretagne’s weather, landscape and people, of course.

from their first album „Paroles de Navarre” (2006).
It’s re-released by Denovali Records (Germany)

Denovali Swingfest, Oct 2-5, Essen with Frederico Albanaese (I), The Haxan Cloak (UK), Ensemble Economique (US), Pan & Me (F), Bohren und der Club of Gore (Ger), Never Sol (Cz), Thees Silver Mt. Zion Memorial Orchestra (Can), Ben Frost (Aus), The Samuel Jackson 5 (Nor) and more.

The program of Denovali Records varies from sometimes improvised darker experimental sounds, ambient, drone, indie and electronica to darkjazz, jazz or piano and string driven modern compositions.

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There’s a book by Judy Blume: Are You There God? It’s Me, Margaret. It’s „about a girl in sixth grade who grew up without a religious affiliation. Margaret’s mother is Christian and her father is Jewish, and the novel explores her quest for a single religion. Margaret also confronts many other pre-teen female issues, such as buying her first bra, having her first period, coping with belted sanitary napkins (changed to adhesive sanitary pads for recent editions of the book), jealousy towards another girl who has developed a womanly figure earlier than other girls, liking boys, and whether to voice her opinion if it differs from those of her friends.”

About these problems with really various style music from pop to punk by all-star girl group of Canberra, Are You There God? It’s Me, Margaret. And surprisingly they’re so good than there we’re sold out shows only. Yes, were. The final show was on 15 Aug.

digital EP on Cinnamon Records (Aus)

Second common work of Hawaiian born half Chinese/half American experimental guitarist Dustin Wong (was in Ponytail) and Japanese pop star Takako Minekawa. It’s more playful than the previous one, because there are more J-pop moments.  Takako sings about quantum physics, human consciousness, and flying above a desert all within the framework of Japanese puns in the song “She He See Feel”

„Savage Imagination” LP, CD on Thrill Jockey Records (US)

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Obnox is Bim Thomas Lamont, the drummer of raw blues band Bassholes. He has plenty of drive because he is working on two albums at the same time now. But before everything else he has thrown out an EP which is stuffed his basement jams. Harsh distorted rock and roll sometimes is like a strange Ministry.

„The Juke That Sat By The Door” EP on Chunklet Records (US)