‘experimental’ címkét viselő írások
-
Radio 'n' Magazine 'n' Gigs 'n' Records 'n' T-shirts
RNR666 Rádió
Csütörtök
From New Records
Jon Bernson (Exray’s, Ray’s Vast Basement) and Tim Cohen (Fresh and Onlys, Magic Trick) are the Window Twins. Make experimental folk pop:Toddi Wellman. A man? Or a band? I have seen some shots from a gig. There were 4 men. Michel, Michel, Michel and Michel? And all from Reykjavik? Mysterious psychedlic garage punk from Tours, France. The best jams sessions of 2012, CDr:
From New Records
Ratsak Nothing special punk music from some bored aussie.
Vacated, 7″ by 12XU
Spectral Park is Luke Donovan who plays all of the music and records on his debut album. These are songs borne from the trash. Sourced from a box of records he found in a curbside garbage in Southampton. Fed them through his sampler & chopped, warped, edited, etc them. Psychedelic DIY music:
L’appel du Vide
His 2 songs are free download
Öngyilkosok félórája
Sielun Veljet
1. Intro 2. Aina nalka 3. Tuuletta vastauksen saan 4. Lainsoujaton 5. I Wanna Be A Frog 6. Ossin jalkeiset 7. Rytmi 8. Tuuli 9. Lapset 10. Karjalan kunnailla 11. Kullervo Kivi & Gehenna-yhtye – Kolmatta linjaa takaisin (alterego band) 12. Rauhallista 13. Taas tukka kasvaa 14. Old Masterpiece 15. Kullervo Kivi & Gehenne-yhtye – Istanbul 16. Moskovan Maailmanrodeo 2070 17. Lagu-lagu pop 18. Huda Huda
Sielun Veljet (1983): 3, 10
Lapset (EP 1983): 8, 9, 13
Hei soturit (1984): 2, 6, 7, 12
Suomi-Finland (1988): 1, 4
Onnenpyöra (1988): 11
Softwood Music Under Slow Pillars (1989): 5, 14
Posthumus:
Musta laatikko (3XCD, 1991): CD2: 17, CD3: 15
Otteita Tuomari Nurmion laulukirjasta: 16, 18 (recorded: 1990, released 2007)
From New Records
The good old eclectic rock’n’others Camper Van Beethoven‘s 8th album. Inspired by the 73’s Beach Boys album: Holland.From New Records
In the studio, the individual musician must be sequestered, provided with the minimum of information and protected from suggestion and influence. All that he can know must be restricted to the state of the composition at the stage of its evolution that the Producer chooses to engage him. As much as possible, composition should occur during the recorded performance. To facilitate, the Producer may need to lie, misdirect, misinform or confuse the musician. It may be helpful to move the goal posts at the last moment. The musician should not be allowed to see the Big Picture until the composition exists in a near finished form, and, ideally, only after he has contributed to it. The musician should be alone with his thoughts, uncertain but determined. Isolated. The goal should be to capture the unique and distinctive voice of the individual as he struggles to cobble. Only once over the course of the entire Lady From Shanghai project did any two band members find themselves in the same building at the same time. Even then, Michele and Robert were not in the same room at the same time for more than thirty-seven seconds. Neither heard what the other was playing. Conversation was limited to pleasantries. I shooed them away brusquely.