I Hate Algorithms

SOUTH LONDON ELECTRIC DANCE PUNK band LEG PUPPY offers a satirical attack on the modern world. Heavily influenced by classic TV shows inc Nathan Barley & Black Mirror. Behind the satire is a band with something to say, tackling issues such as gambling addiction, social media narcissism, property developers & spam bots.

They say about their new album: THE AIR IN UTOPIA IS POISON is a dark, grooving odyssey revealing an unnerving reflection of post-Brexit Britain. Despite containing a lot of humour, it’s a very dark album with some very hard-hitting themes:

That aside, we wanted to take the piss out of the music industry, where mediocrity and safeness wins.

Végre megint TIGER LILLIES KONCERT

Egy TIGER LILLIES koncert a legjobb szórakozás. Van ott három angol férfi festett arccal, mint valami cirkuszi bohócok, és dalokat énekelnek, és majd minden dal egy-egy mocskos történet maximális átéléssel előadva, és te nevetsz, bár inkább sírnod kellene ezeken a groteszk dalokon. Például ez arról szól, amikor valaki már túl van mindenen, a kéjgyilkolás sem elégíti ki:

„Bűn az élet”, lehetne a mottójuk. Minden fajtáját megénekelték. Lemezeik kaján katalógusai az emberi eltévelyedéseknek, haszonlesésnek, perverzióknak. Például ebben a dalban van szex, drog és sivárság:

Az egész a londoni Sohoban kezdődött egy bordély feletti padlásszobában, ahol Martyn Jacques teológia-filozófia szakos hallgató lakott, és a hely szelleme inspirálta a TIGER LILLIES megalapítására. Azóta sok hulla lefolyt már a Temzén, 30 év alatt, haj, de mennyi, a Yard sem tudná megmondani. Ők közben kiadtak, ha jól számolom, 36 lemezt, közte a Háromgarasos operát, amit kihoztak kettőből.

OKTÓBER 31-én BUDAPESTEN az A38-on
mutatják be 30. évfordulós ünnepi műsorukat

 

és remélem előadják Peggy Lee „Is That All There Is?” című 1969-es slágerének 10 perces verzióját. A dal egyébiránt Thomas Mann Kiábrándultság című novellája dalban az író saját szavaival:

 

Just Leaving Footsteps in The Snow

 

PRIMO! is a raw minimal guitar pop band from Melbourne with the two girls from one of the most amazing Australian pop bands TERRY. Their short, beautifully simple and purposeful songs reference the 40-hour working week, the city, bureaucracy, walking, a ghost and a mirage:

They are going to European tour in August. And also there will be a TERRY tour in Europe in September.

AMICI will release on 13 July on UPSET THE RYTHM RECORDS (UK)

 

Fast & Loud

 

JOHNNY MAFIA hails from Sens, Burgundy (which is known more for it’s wheat and cereal production than rock ‘n’ roll) and bring a young, snotty, explosive and ferociously fun energy that drives audiences into a near-frenzy. Inspired by classics like The Ramones, T-Rex, and The Clash, they also draw heavily on contemporary acts like
Ty Segall, Jay Reatard, and the Wavves. The band have just released the video single for BIG BRAWL

after recently finishing recording and mastering their sophomore album PRINCES DE L’AMOUR with producer JIM DIAMOND – who was the bass player of Dirtbombs and produced albums for The Sonics, Andre Williams, The John Spencer Blues Explosion, White Stripes and countless others.

Jim was forced to shut the doors at his studio Ghetto Recorders in 2015 due to what can only be described as “hipsterfication in the downtown Detroit area when his landlord doubled his rent. He set up a new base in Montpellier, and continues his prolific presence across the scene, working with bands as far and wide from Cambodia to Cleveland. In recent years, Diamond has become something of an unofficial in-house label producer/engineer at DIRTY WATER RECORDS.

The album PRINCES DE L’AMOUR will release on 9 November on DIRTY WATER RECORDS (UK).

 

South London Calling

Now you can listen to the split CD single of two strange South London bands. On the one hand H0NKIES play a blend of South-London scuzz incorporating elements country, electronic, post-punk and lo-fi. File next to bands such as these South London fellows: Goat Girl, Meatraffle, Warmduscher and Peeping Drexels, but also Rebel and Country Teasers of course.  And thye are really just “like a drunken boat.”

On the other part PEEPING DREXELS play sleazy melodies with sloppy beats from South London scum. It’s music for horrible people like you.

It is released on PERMANENT CREEP RECORDS. Order here.

 

A Tale of Barbarity, Sorrow, and Vengeance

 

HOTEL LUX tells a tale of barbarity, sorrow, and vengeance. It is an attempt to step into the British realist tradition of portraying the most vulgar and distorted aspects of the communities they (we) live in:

7″ single will be released on Big Score Records in June. Listen and preorder!

You can listen to more songs of them here. Anyway Hotel Lux was the abode of exiled or escaped foreigner communist cadres in Moscow between 1921-54. They lived in fear there because nobody knew who would be labeled as a terrorist, traitor, conspirator or heretic next day.

Meanwhile in Epping Forest

I love if a band can make me some laugh with their music like
DOG CHOCOLATE from London.
By their own words, they perhaps play sloppy, messy, silly and jerky punk music:

Jono plays a couple of drums, Matthew plays a guitar and a load of pedals, Rob plays another guitar and sings some songs and Andrew sings most the songs and plays another guitar and sings some songs and Andrew sings most the songs and plays percussive keyboard when he’s not. They write songs without thinking too much about things that make them feel a lot, as it sez in the song „It’s About Giving A Shit” but at the same time not giving a shit!! It says more too, but dont worry about that now.

New album MOODY BALLOON BABY on UPSET THE RHYTHM RECORDS (UK)

 

„I was like a ship without a sail”

The story of INSECURE MEN has started in Paris when Fat White Family’s main songwriter Saul Adamczewski was asked to leave the band temporarily after refusing to vacate the Paris venue the band was playing on the night of the Bataclan attack because he’d arranged to meet a heroin dealer there later on.

He said about: “I fell into a downward spiral, living on a friend’s floor just smoking crack and heroin and doing nothing else. After four months I snapped out of it and realised I needed to get clean. When I came out of rehab I had nothing left other than these songs – I was like a ship without a sail – so it started to look like Insecure Men was something I should definitely pursue as my main project.”

He teamed up with his school friend Ben Romans-Hopcraft (from the band Childhood) and recorded those songs, blend together exotica, easy listening, lounge and timeless pop music.

INSECURE MEN debut album released on FAT POSSUM RECORDS (US)

 

#o1 CHRIS LIBERATOR | STAY UP FOREVER COLLECTIVE

ACID TECHNO : A WAY OF LIFE NOT A FASHION STATEMENT

 

1297187681_chris-pic-for-909

A rebel, the founder of the Stay Up Forever record label and collective, which has been going against the mainstream since ’93.

Turning from the punk towards techno raves in the early 90s, started hosting-supporting squat and warehouse parties, thus created their own crowd and party scene in London. Linked up with the Conspiracy and Bedlam Sound System for Chris and his friends it was a forthright move to the Spiral Tribe and its traveller scene. Then they got involved in such free raves as Lechlade and Castlemorton Common Fest in ’92. Now it was really only within a reach to set up a record label which represents their sound and keeps up this network.

As the collective began with spinning some of those German producers’s records like Hardfloor (who can be considered as one of the pioneers of the acid sound) their own way led to the evolution of the acid techno: the fusion of goa, hard trance, techno and acid house which in time became fast and grungy; fine tuned by raw, anarchist vibes.

So this November the label celebrates the 25th anniversary of it’s existence, the never-ending 90’s, the everlasting raves.

#happyanniversary!

Retroflex Presents Liberator 25
11/11/17
Bloc.
London

YOU’RE IN DEEP SHIT

„I like rotten expensive arrogant self-destructive white male culture. Punk was too energetic and positive for me.” Ben Wallers

 

stallionwall

The Wall is recognized as one of the most famous concept albums of all time. Bass guitarist Roger Waters conceived the album as a rock opera during Pink Floyd’s 1977 In the Flesh Tour, when his frustration with the audience became so acute that he spat on them. Its story, which follows themes of abandonment and personal isolation, explores Pink, a character whom Waters modeled after himself and Syd Barrett who one time was the main songwriter of the band, but was fired owing to psychedelic behaviour in 1968. Later he turned into a silent mad. Well, Pink’s life begins with the loss of his father during the Second World War, and continues with abuse from his schoolteachers, an overprotective mother, and the breakdown of his marriage; all contribute to his eventual self-imposed isolation from society, represented by a metaphorical wall.

Ben Wallers said about: – I don’t find Roger’s lyrics embarrassing if I listen to The Wall with my Mom; but if I listen to Animals with my Dad, I get embarrassed and have to go to the toilet, sorry I mean bathroom.

stallionband

Anyway Waters is the really interesting character for me. A hopeless case, an utter shit-head. Brilliant character actor and composer. But I have to confess it was burnt into me at age 11/12/13 when I got into ‘Dark Side of the Moon’, ‘A Collection of Great Dance Songs’, ‘The Final Cut’ and ‘The Wall’. I loved them unquestioningly.

So much so that he and Alastair Mackinven also from Country Teasers now show you THE DARK SIDE OF THE WALL on their song for song interpretation triple album under name of THE STALLION.

Apropos of their work they quote inaccurately the cop who shuts the jailcell gate on Woody Allen’s character in „Deconstructing Harry”: – Let me give you some advice: YOU’RE IN DEEP SHIT.

It will release soon on IN THE RED RECORDS (US)

GREAT BUY, CRUEL WORLD!

Hey Butt What The Fuck with Honkies

honkies

This South-London honky-tonk band was able disturbed me
with messages through various channels within a very short time
about their first single, called Entitled to Nothing

 

For example they wrote that „a blend of South-London scuzz incorporating elements country, electronic, post-punk and lo-fi. File next to bands such as Goat Girl, Meatraffle, Warmduscher, peeping Drexels and the Rebel”, but also Country Teasers. „Using vintage drum machines, synthesizers, guitars, bass and male/female vocals.” And thye are really just „like a drunken boat.” With Keel Her in the title song. She nowadays also appeared in other bands as Bin Bags, Administrators and maybe more.

But now I ask Jim from Honkies

– Hey! What is your temper?

– My temper is dependent on two things: bullishly high crypto-currency share prices and Hank Williams cover requests.

– Anyway what things annoy you in the weekdays?

– Lesser Honkies gigs, lesser Honkies activity.

Next gig on 20 July at the Bible Club in London

Anyway the 4th commandment of crypto currency trading: Don’t Panic.

take a ride on your physical and mental borders

horselordse

3 fine NORTHERN SPY RECORDS artists touring in Europe

together and also separate

in Hungary, Czech, Slovakia, Poland, Germany, Holland, France, and UK

ZS – far from the music, or a super joint on a pin bed

and also HORSE LORDS, play western African x American folk hardcore jazz

and there is a beautiful red cat on their FB page,

and there is CLOUD BECOMES YOUR HAND too,

plays pop music at least compared to the previous ones.

But maybe I just say pop because they sing.

BUT TOGETHER JUST in BUDAPEST APRIL 8 and LONDON APRIL 20.

ALL TOUR DATES ON NORTHERN SPY WEBSITE


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