2017 nov 20. napi mottónk:

Trágár János epigrammája

manson károly
sírban tárolt

https://www.youtube.com/watch?v=0VV4go4UJzg

BIG SEXY (BEASTIE) NOISE @ A38

Lydia Lunch, James Johnston and Ian White were back on „the ship” once again, and after last year’s mindblowing Retrovirus gig, I was more than looking forward to what they were going to do this time.

But firstly, let’s talk about derTANZ. It had been a while since I last heard them live, so I didn’t quite know what to expect, but I was definitely more excited about them opening for Lydia Lunch than I was about last year’s support band, and – oh, boy! – they didn’t disappoint. The moment I heard the bass, I knew this was going somewhere. It is the kind of dirty, distorted bass sound that makes you question why most bands even had guitars in the first place, while wondering what Rob Wright might be up to these days, and remembering how much you love Shellac, when a perfectly positioned, close-to-deafening shriek pulls you back into the audience. This by itself should be enough to make me giddy, but when accompanied by tight, syncopated drum work, the result is ecstatic.

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Some might call it post-punk, they themselves might call it freepunk, but it’s also the kind of noise rock that has been missing from the Hungarian music scene for so long, and finally, there we have it: a sufficiently dissonant, simple, but heavy rhythm section (too bad the drum groove falls apart a few times) with an interesting addition: Kovács Gábor’s singing. It’s from a completely different musical universe. It starts out deep and haunting, then it turns into a chant (sometimes even reminiscent of Jim Morrison-esque spoken word), then there’s a shrill, a scream, some praiseworthy shouting, and yes, it is more often than not a tad off-key, but it still all fits together fine enough. There’s not a word uttered between songs, only when the last sound of the cacophonic jam session has died off do they announce their name and say good night, so we can all grab a drink and get ready for Big Sexy Noise.

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Big Sexy Noise

The Queen of No Wave in Budapest again with her fellows from Gallon Drunk under moniker Big Sexy Noise

on Dec 17 in Budapest at A38 with der TANZ (Hu)

Listen to our special playlist: Lydia Lunch &

 

Big Sexy Noise

The Queen of No Wave in Budapest again with her fellows from Gallon Drunk under moniker Big Sexy Noise

on Dec 17 in Budapest at A38 with der TANZ (Hu)

What is No Wave? Listen to our playlist with only Lydia Lunch hits

 

Keith Moonshine Show

Welcome to My Church

lydialunch_cut

Lydia Lunch &

Taken from >

1. Omar Rodriguez Lopez & Lydia Lunch – LP (2007)
2. James White & The Blacks – Off White LP (1979)
3. V/A – The Jeffrey Lee Pierce Sessions Project – The Journey Is Long LP (2012)
4. Here – Brooklyn Bank LP (1998)
5. Clint Ruin & Lydia Lunch – Stinkfist EP (1988)
6. Glyn Styler & Lydia Lunch – The Desperate Ones EP (1997). The original Desperates Ones by Jacques Brel
7. Sort Sol – Dagger & Guitar LP (1983)
8. The Disciplines – Fate’s A Strong Bitch / Urbane Problemer 7″ (2011)
9. Oxbow / Kill Kill Kill 7″ split (2011)
10. Clint Ruin & Lydia Lunch – Don’t Fear The Reaper EP (1991)
11. Kristian Hoffman – & LP (2002)
12. No Trend – A Dozen Dead Roses LP (1985)
13. Lydia Lunch & Philippe Petit – Twist Of Fate LP (2010)
14. Die Haut – Head On LP (2002). Parts Unknown: vocals and words by Lydia Lunch and Kid Congo Powers.
15. H.O.F. & Lydia Lunch – When I’m Loaded 7″ (2008)

She is on Euro tour with her band Retrovirus. The members are Weasel Walter – guitar (Flying Lutterbachers), Bob Bert – drums (Sonic Youth), Algis Kizys – bass (Foetus, Swans). Budapest  Dec 8  A38>Facebook event

Another playlist from Lydia Lunch’s songs

Keith Moonshine Show

 

„I despise movements! I’d never be part of any movement!” (James Chance)

NO WAVE

„The word ‘No’ being one of my favorite words at the time.”

lydialunch_cut

„I don’t think nihilism is a strong enough word. I hated everything. At the same time, I probably laughed more than anyone else. As horrible as it is, you have to fucking laugh, or you are going to kill yourself or somebody else. (…) „The whole fucking country was nihilistic. What did we come out of? The lie of the Summer of Love into Charles Manson and the Vietnam War. Where is the positivity? I’m supposed to be fucking positive? Fuck you! You want positive, go elsewhere. Go find a different lie.”

LYDIA LUNCH

Queen Of Siam (1980): 4 (Szomorú vasárnap cover), 6-9
with her band 8 Eyed Spy – 8 Eyed Spy (1981): 3
with Rowland S. Howard – Some Velvet Morning (single, 1982): 2
with Anubian Lights – Champagne, Cocaine  & Nicotine Stains (EP,2002): 1, 5
Smoke In The Shadows (2004): 10-14
with her band Big Sexy Noise – Big Sexy Noise (2009): 15-16

Now she is touring in Europe with her new band, Retrovirus. The members are Weasel Walter – guitar (Flying Lutterbachers), Bob Bert – drums (Sonic Youth), Algis Kizys – bass (Foetus, Swans). Budapest  Dec 8  A38>Facebook event

 

Quotes from Marc Masters – No Wave, book, published by Black Dog

RETROVIRUS

 

Lydia Lunch is an influential artist, one the most important members of No Wave scene. She has started her career as founding member of Teenage Jesus & The Jerks in New York, 1976. She made records in collaboration with various artists such as Foetus, Sonic Youth, Nick Cave, Marc Almond, Rowland S. Howard, Michael Gira, The Birthday Party, Einstürzende Neubauten, Oxbow or Omar Rodriguez-Lopez.

Today start her Euro tour with his band, Retrovirus. It consists of Weasel Walter (guitar, The Flying Luttenbachers, etc.), Algis Kizys (bass, Swans, Foetus, etc) and Bob Bert (drums, Sonic Youth, Pussy Galore, Chrome Cranks, etc). The set consisted of a quasi-chronological display of musical raw power, ranging from material by Lydia’s classic units Teenage Jesus and the Jerks (1976-79), 8-Eyed Spy (1979-80), 13.13 (1982),  and Shotgun Wedding (with Rowland S. Howard, 1991) as well as touching on her solo debut “Queen of Siam” (1980) and various other projects up to the present. But this is no county fair cover-band – Retrovirus is a totally modern take on the atrocities of the past and present, devoid of simpering nostalgia, bristling with a scoriatingly modern sheen of violence and momentum.

Dates > 20 11 Italy Catania Zoo – 21 11 Italy Torino Spazio – 22 11 Italy Brescia Latteria Molloy – 23 11 Italy Bologna Senza Filtro – 24 11 Italy Roma Init – 25 11 Italy La Spezia Btomic- 28 11 France Paris La Java – 29 11 France Lyon Kraspek Myzyk – 30 11 France Montpellier Secret Place – 1 12 France Marseille L`emnobineuse – 3 12 Germany Munich Milla – 4 12 Austria Vienna Szene – 5 12 Czech Prague Malostranska Beseda – 6 12 Austria Linz Stadtwerkstatt – 8 12 Hungary Budapest A 389 12 Croatia Zagreb Culture Factory – 10 12 Slovenia Ljubljana Gala Hala

„I would be humiliated if I found out that anything
I did actually became a commercial success.”

 

Első közlés

jávor hegedűvel párizsban
Ma 80 éve a Délibáb című színházi folyóiratban olvashatta először a nagyközönség  Jávor László Szomorú vasárnap című versét. A 29 éves „sovány újságíró bánatában, mint egy őrült Rómeó, versben mondta el vallomását a kis táncosnőnek. Mert levélben szégyellte leírni.”

Szomorú vasárnap száz fehér virággal
Vártalak kedvesem templomi imával
Álmokat kergető vasárnap délelőtt
Bánatom hintaja nélküled visszajött
Azóta szomorú mindig a vasárnap
Könny csak az italom kenyerem a bánat…

Szomorú vasárnap

Utolsó vasárnap kedvesem gyere el
Pap is lesz, koporsó, ravatal, gyászlepel
Akkor is virág vár, virág és koporsó
Virágos fák alatt utam az utolsó
Nyitva lesz szemem hogy még egyszer lássalak
Ne félj a szememtől holtan is áldalak…

Utolsó vasárnap

 
Seress Rezső zenéjével lett belőle az egyetlen magyar világsláger. Lydia Lunch 1979-es verziója:
  
 

Boldog születésnapot

 
1941. London. Charlie Watts.

Vajon mit kap születésnapjára?


1959. Rochester (USA). Lydia Lunch, aki onnan kapta nevét, hogy
 
 

Tovább / Read more »

Lydia Lunch

 
Henry Rollins nőben. Meg fordítva. A színe és visszája. A jin, meg a jang:
 

 
Ő is megér egy fekete misét:
 

Tovább / Read more »


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