A következő oldal a nyugalom és a közízlés megzavarására alkalmas!
Böngészését kizárólag:
látogatóknak ajánljuk!
Ennek tudatában:
THE GODDAMN GALLOWS play „gutterbilly” or „hobocore”, a unique blend of country, blues, rockabilly and rock and roll, „but still with just enough hardcore and punk influence to make your parents hate it.”
It was founded as a trio in 2004 somewhere in Michigan, in the heart of the rust belt. Once it was named as steel belt because of the grade of industrialization. The decline occurred gradually, as rust eats iron. It started in the middle of the past century, in the heyday of American dream. But a nightmare came to the end of the century: shrinking cities, abandoned industrial buildings and homes, high unemployment and crime rates – just because the economic courses were changed during the dreaming. For example there is Motor City, aka Detroit, where a music empire, the Motown, was established on the black workers. More than 1 million residents ran away from there, and the city lost 61.4 % of its population (1950: 1 849 568, 2010: 713 777).

The band moved forward West, where they lived in abandoned buildings, squatter camps, storage units and shoebox apartments, and mainly on the road. Where they picked up stray musicians along the way during endless tours, so the band is a quintet today, and you can find there such instruments like accordion, banjo, mandolin and washboard too. Fortunately their drive has taken them to Budapest at RNR666 PARTY. Here are more smashing shots about that frantic show by Márk Martinkó.
You can hear the latest album The Maker here. New album is coming in 2017.

A new photo album with 134 historic images at deluxe size by Dust to Digital. A book with lots of found images. Among those aren’t photos of Bill Hayley, Elvis Presley or any usual person, but there’re ordinary, nameless men, women, and children. Most of the people in the photos wouldn’t have heard of rock’n’roll, much less thought of themselves as rock’n’roll progenitors. Instead, the images capture the gangly musicians, the giddy dancers, and the drunken antics found in smalltown America from the 1930s to the 1960s and beyond. All the musical genres that influenced what we know of as “rock” are represented: everything from jump blues and gospel to boogie woogie and Western swing.
The author, Jim Linderman says: “We have this notion that rock’n’roll started in Memphis in 1955, and it really didn’t. Bob Wills was playing in the ’30s and ’40s in Oklahoma, and Chuck Berry modeled Maybellene on a Bob Wills song. The roots of rock go back a lot further than we realize. It came from the church, from vaudeville, from the music played in after-hours clubs, from juke joints. The whole point was pretty much to get together, get drunk, and get laid. That’s the real history of rock ’n’ roll.”

As Muddy Waters said, “The blues had a baby and they called it it Rock and Roll.”



Viltin Galéria > 1054 Budapest, Széchenyi utca 3.
Vernissage: March 12
Open until April 19
The video is just an illustration. The theme comes to it my mind.
Bloody Mary Una Chicka Band, The Fabulous Go-Go Boy From Alabama

and Human Trash by Gyerage
She was one of the best street photographers ever, but no one knew it until her death.
She has made some moving images too. A glimpse at Chicago in the 70s:

In August, 1896 in the French-Alps in a community with few hundred inhabitants called Saint-Julien en Champsaur a farm boy rapes the 16-year-old Eugenie Jaussaud. Marie was born from this unwanted occasional affair in 1897. Eugenie becomes a cook in Gap, the neighbouring town with ten thousand residents, then in the far New York, which was home to 3,5 million at that time. She travelled there with 32 dollars (= about 870$ today) in her purse together with other youngsters from Gap in 1901. Her daughter became a maid in a small Italian town.
