A következő oldal a nyugalom és a közízlés megzavarására alkalmas!
Böngészését kizárólag:
látogatóknak ajánljuk!
Ennek tudatában:
This is a very good playful synth punk pop surf rock folk beat new wave band.
Wayne Hancock began his music carrier as a teenager. He played country in juke joints around Texas while he got his draft in the US Marine at age of 18, but 6 years after he went back to the road. The style is country like Jimmy Rodgers or Hank Williams, but he is playing western swing, rockabilly and blues too.
The Apostille is a synth project from the head of the London based Nightschoool Records, while the dnbl is solo production of the Pheromoans’ keyboardist. Split cassette by Scottish Clandestine.
6 songs form the Glaswegian Golden Grrrls’ debut album by Nightschool Recs.
The Destruction Unit‘s founding members were Jay Reatard and Alicja Trout (Lost Sounds, River City Tainlines). Psychedellic garage rock:
Widowspeak = Molly Hamilton and Robert Earl Thomas. Like Nancy Sinatra and Lee Hazelwood.
If you’re not a cold wave surfer then here is a member of the family of world best or worst bands: Happy Jawbone Family Band. Like the Axemen, Mad Nanna or Jutott Neki:
Jon Bernson (Exray’s, Ray’s Vast Basement) and Tim Cohen (Fresh and Onlys, Magic Trick) are the Window Twins. Make experimental folk pop:
Ratsak Nothing special punk music from some bored aussie.
Vacated, 7″ by 12XU
Spectral Park is Luke Donovan who plays all of the music and records on his debut album. These are songs borne from the trash. Sourced from a box of records he found in a curbside garbage in Southampton. Fed them through his sampler & chopped, warped, edited, etc them. Psychedelic DIY music:
L’appel du Vide
His 2 songs are free download
The Go formed in Detroit, 1998. In the very early time Jack White was a member for almost 1 year. Beatles taste garage rock.
January 13. Fatal Jamz. Indie glam pop:
The Men Punk from Brooklyn:
In the studio, the individual musician must be sequestered, provided with the minimum of information and protected from suggestion and influence. All that he can know must be restricted to the state of the composition at the stage of its evolution that the Producer chooses to engage him. As much as possible, composition should occur during the recorded performance. To facilitate, the Producer may need to lie, misdirect, misinform or confuse the musician. It may be helpful to move the goal posts at the last moment. The musician should not be allowed to see the Big Picture until the composition exists in a near finished form, and, ideally, only after he has contributed to it. The musician should be alone with his thoughts, uncertain but determined. Isolated. The goal should be to capture the unique and distinctive voice of the individual as he struggles to cobble. Only once over the course of the entire Lady From Shanghai project did any two band members find themselves in the same building at the same time. Even then, Michele and Robert were not in the same room at the same time for more than thirty-seven seconds. Neither heard what the other was playing. Conversation was limited to pleasantries. I shooed them away brusquely.