A következő oldal a nyugalom és a közízlés megzavarására alkalmas!
Böngészését kizárólag:
látogatóknak ajánljuk!
Ennek tudatában:

GOSH! is a minimal psych-pop duo. OK, there are many. But when I got their new album ODYSSEY I wanted to show it to everybody. Hey, listen to this! So simple, bittersweet and beautiful.
GOSH! started when Padraig left his psychedelic post-americana band Nude Sunrise and started dating with Claire. One of the first moments they spent together there were guitars. Claire picked the bass and they learned „Badlands” from The Jesus and Mary Chain. Anyway she never played any instruments before and GOSH! is her first band. And it is among my brand new favourites.
New album ODYSSEY was written after they got back to Chicago from a chaotic tour. It remembers an underpaid journey as arduous as the real Ulysses’s, full of tragic twists and chemical quicksands. „All while watching the new season of Twin Peaks. It was a dark time, but we channeled that darkness and complete sense of defeat into creativity and in turn have produced something incredibly positive” – said Claire.
I know it coming soon on NICEY MUSIC
Unfortunately at the moment I cannot show the song Lake Shore Drive to you, but you can listen to it in KILLBONOCLUB this Saturday.

1. Trip-hop acid folk under jazz attack. On the one hand the story has begun in 1979 when Ágnes Zsigmondi – singer of Hungarian underground folk band Kolinda – illegally left her homeland and went to live in Paris because her band’s music was not suit for the Hungarian one party state standards so they could not published any records while they released albums in France where she met American jazz drummer (of Sam Rivers and Archie Shepp) Stephen McCraven. Their son MAKAYA McRAVEN was born there in 1983 and has become a drummer. His new mixtape album HIGHLY RARE released now. It was recorded „just days after the death sentence of the American presidential election” when INTERNATIONAL ANTHEM RECORDS invited some jazz musicians into a bar in Cihacgo to play in support of sets by Belgian DJ LeFtO

2. Fucking great indie rock and roll songs from Finland. TEEMU & THE DEATHBLOWS debut album KEEP IT IN THE DARK on SVART RECORDS
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3. As if I would listen to Cramps and Venom together. Naples garage thrash rock and roll duo THE DEVILS second album IRON BUTT on VOODOO RHYTHM RECORDS (CH)

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4. Synth punk by LA trio PRETTIEST EYES for fans of Screamers, Suicide, Chrome. Now with latino feeling! Debut album POOLS on CASTLE FACE
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5. Everykindofhardrock in the manner of TY SEGALL on his new album FREEDOM GOBLIN on DRAG CITY RECORDS (US)
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6. BACK TO THE ROOTS OF INDIE POP
„The great liberating album for our generation was London Calling by the Clash. At a time when the post-punk mob seemed to be removing more color, texture, and beauty from their music with every passing week, London Calling was a revelation, taking us back to reggae and soul and everything that was possible” – said Pat Fish
who formed the band JAZZ BUTCHER in Northampton in 1982 when a friend lent him a compilation album of 70s soul hits, he got a vision of a new way forward, and wrote the song “Partytime”, a three-and-a-half-minute repudiation of post-punk’s sonic and verbal tendencies toward deadly seriousness.
They made four albums for Glass Records between 1983 and 1986. The jacket notes on the dusty tome that recalls this period mentions private detective television series Randall And Hopkirk (Deceased), Thatcher, DIY post-punk, LSD, surrealist cabaret, The Velvet Underground, a bottle of Cointreau or two, the Amstrad 7090 and Ronco’s ‘Black Magic’ compilation. These first four were released in a box set as THE WASTED YEARS on FIRE RECORDS this year October. And now here are the four VIOLENT YEARS in a box set that compiles their next four albums, originally released on Creation Records between 1988 and 1991. The song Looking For Lot 49 is taken from their ’88 album Fishcotheque.
In 1995 they retired in protest against Britpop, American actor Chris Evans and their own frustrating inability to unseat the government of John Major. But nowadays they play as the Jazz Butcher Quartet with ace trumpeter Simon Taylor. Next show > March 1st London 100 Club

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7. A dizzying mix of pastoral ballads and DIY experimentation by Australian band THIS KIND OF PUNISHMENT. A BEARD OF BEES album reissue on SUPERIOR VIADUCT RECORDS (US). Originally self-released in 1984.
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8. Italian artist Giovanni Dal Monte aka LA JOVENC from the other side of music. One of his albums “Birds make love with electric ladybugs” initially was imagined as an exhibition of photographs of insects and landscapes and the entire music was composed using samples of insect and bird sounds. But now here is a transposition of an ode from his brand new album MATER on SONATA BOTANICA and ATMOSPHERE RECORDS which contains transcripts of midi scores of renaissance music of Palestrina, De Pres, Ockeghem, Taverner, Encina, Lemlin, etc. It reminds me Laibach’s Bach cover album Kunst der Fuge.
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9. Really heavy metal duo THE BODY & very hardcore band FULL OF HELL play smelter ambient music on their collaborative album ASCENDING A MOUNTAIN OF HEAVY LIGHT with some guests like drummer Brian Chippendale (Lightning Bolt, Black Pus) on THRILL JOCKEY RECORDS (US)

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10. THE GREEN CHILD is the collaborative project of Mikey Young from Aussie new wave punk Total Control and Raven Mahon from American indie garage rock Grass Widow. The band’s name was inspired by Herbert Read’s 1935 utopian, anarcho-communist sci-fi novel called The Green Child. The story begins in 1861 with the faked death of President Olivero, dictator of the South American Republic of Roncador, who has staged his own assassination. He returns to his native England, to the village where he was born and raised. On the evening of his arrival Olivero notices that the stream running through the village appears to be flowing backwards, and he decides to follow the water upstream to discover the cause. The stream’s course leads Olivero to a mill, where through a lighted window he sees a woman tied to a chair, forced by the miller to drink the blood of a freshly slaughtered lamb. But at this moment we are under of influence of 80s synth pop on a cold, foggy and rainy day when their debut album released on UPSET THE RHYTHM RECORDS (UK)
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11. UNDER GRAPE LEAVES is a silent, poetic, melancholic, bucolic and psychedelic album from Canadian artist ANDRE ETHIER ex-guitarist and front man of alternative rock band Deadly Snakes (In The Red Records). It is released on TELEPHONE EXPLOSION
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12. Ghosts of Ravel, Debussy and Gershwin whirling with Billie Holiday, Os Mutantes, Pixies, Yo La Tengo and Beatles on the debut album of Brooklyn based RENATA ZEIGUER, the daughter of Argentinean and Philippine immigrants who learnt music in two worlds: New York and Buenos Aires. Her album OLD GHOST – which will release soon on NORTHERN SPY RECORDS – comes Cibo Matto to my mind.

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13. US band WEI ZHONGLE was born from a love of traditional Chinese court music. They play esoteric but chaotic pop music on this base. Funny. THE OPERATORS album by SELF SABOTAGE RECORDS
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14. MAKE-OVERS – trash pop garage punk something from the suburban wasteland of Pretoria, South Africa. I asked Csühes which would be the best time for us to make a show for them in Budapest? He said: every time. 7″ single on French label SIX TONNES DE CHAIR
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15. NOHAYBANDA! – electric math rock from Rome. Self-titled album produced by Italian MEGASOUND and STIRPE999 RECORDS in collaboration with OFF SET, DISCHI BERVISTI and from France EN VEUX-TU? EN V’LA! RECORDS
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16. Finnish jazz drummer OLAVI LOUHIVUORI – who is best known for his post jazz rock group Oddarrang – starts his five album project IMMEDIATE MUSIC to explore the limits of freedom in music with different ensembles from album to album. On the first album he is joined by Pekko Käppi on bowed lyre and Teemu Korpipää on synthesizer and sound effects. Result: space storms with solar flares.
MORE KILLBONOCLUB
KILLBONOCLUB on SPOTIFY
is primarily the project of recorder player Taylor Ross from The American South. This Rock Band has destroyed The Rock Band in order to build a New Rock Band sourced from Fake Classical / Neo-Baroque stylings. Recorders big and small multi-tracked atop atypical chord progressions”
This is a neo-baroque psych folk pop crank, an easy, bloody fun
from the album „A V” on Leaving Records (US)
But this song shows just one face from the many of the band. Sometimes it seems as if there would be a different band, because „Hey, it’s totally Sonic Youth”; „Oh what is the name of that Czech folk jazz band? They make something similar. Jablkon! That’s right.” And in the next moment it turns into grunge. Just like the Ween.
Full album stream Buy it here
Euro tour > 25 Nov – 10 Dec Germany, Switzerland, France, UK, Holland: You can find the exact dates and places on a poster under the embedded album.

There was a pretty boring „dream-pop outfit called Mezzanine Owls” in LA. Two of them (Zeitlin – guitar, Mu – drums) have founded ALPINE DECLINE, moved to Beijing to teach on Communication University of China, and reborn as a thrilling
nightmare pop / smokegaze / rust punk / acid greenhouse band
New album Life’s a Gasp by Maybe Mars Records (China)
SURF HARP plays – they say – fuzzy artcore. It is something weird eclectic funny pop music. It has started as a personal surfgaze project of Phil in Baltimore (Maryland, US), but

Chris: Aaron, Dennis, and I were recruited to perform the Galápagos EP songs live, and eventually Jeff was too, and we were just playing what was already there. Then, with playing new songs as a group, the material evolved differently, especially because we were playing live pretty often and tweaking the songs as we went along.
Their music is inspired by
Jeff: In terms of my bass playing and songwriting, I am inspired by a wide range of artists. Everything from Scott Walker to Pavement to Mingus to Aphex Twin. It is difficult to explain the direct effect that this inspiration has on my songwriting. I never say “I really like Neu!, how can I write a song like „Hallogallo”. But I guess the verses of „Pomegranate” are a direct result of my love for Krautrock.
Phil: The biggest influences for me on the songwriting and tones of the album were probably Devo and Ween. Actually, there was one part during the mixing where I asked Mat to pitch shift the rototoms on “Pain Kills” to sound like the opening of Mayhem’s album Deathcrush.*
Moreover there are violin, cello and marimba on their first album which has been released on CD and cassette by Friends Records (US). When I was listening to it two bands came to my mind: Brattleboro (Vermont, US) art rockers Happy Jawbone Family and early Unknown Mortal Orchestra.
*From an interview on bmoreart. Listen to all from SURF HARP! I love them.