A következő oldal a nyugalom és a közízlés megzavarására alkalmas!
Böngészését kizárólag:
látogatóknak ajánljuk!
Ennek tudatában:
with very poor fantasy – but can be said in their favour – not by the band.
Debut album this month.
Next show: Sept 13 with Bored Nothing (Aus) in Budapest, A38.

Her life was pretty vicissitudes. She has begun her singing career as a folk music performer in coffeehouses in 1964. Her first hit was „As Tears Go By” was written by Jagger, Richards and then Rolling Stones’ manager Andrew Loog Oldham. It was one of the first original compositions by Jagger and Richards, as until that point The Rolling Stones had chiefly been performing blues standards. Oldham locked Jagger and Richards in a kitchen in order to force them to write a song together: “I want a song with brick walls all around it, high windows and no sex.” The song was given to her. Later the Stones also recorded it.
As Jagger’s girlfriend in these years she made big impression on the Stones. For example she is co-author of Sister Morphine. First it was recorded by herself with Jagger, Ry Cooder, Jack Nitschze and Charlie Watts, and was released as B-side of her single in 1969.

Not many people can front a rock band, sing Górecki’s Third Symphony, lead a marching band processional down the streets of the Sundance film festival and perform in a baroque opera of their own composing — all in a month’s time. But Shara Worden can. She came from a musical family of traveling evangelists, went on to study operatic voice and then classical composition not only in the States, but also in Moscow, where she made her first records. Since 2006 she has been making art pop records under the name of My Brightest Diamond. And there were many collaborations with such artists as Laurie Anderson, David Byrne & Fat Boy Slim, Sufjah Stevens, Prefuse 73, Recoil, Bon Iver, The Blind Boys of Alabama and more.
„This Is My Hand” album on LP,CD, digital on Asthmatic Kitty (US)
She also in a very famous artist Matthew Barney’s brand new cine-opera, the „River of Fundament„, together with Salman Rushdie, Mike Tyson, Debbie Harry and Zeena Parkins, but it’s „such a mess that I sincerely hope I will never have to endure a second viewing” – wrote a critic.
The beauty of it is that she was born in El Dorado
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Classic industrial techno disco tracks taken from the split LP of STATIQBLOOM and ZEX MODEL
STATIQBLOOM is the German born Fade Kainer from New York. He has industrial metal background (Batillus, Inswarm, Theologian), member in tour band of Jarboe (Swans). ZEX MODEL is a project of Paul von Aphid from Russia, Kaliningrad (aka Königsberg, East-Prussia). It’s dedicated to mutant sounds of 80’s WaxTrax and Nettwerk Records. The split will be released later this month on Desire Records (France)

is the slogan of Goodbye Boozy Records.
It’s one of the best European garage rock/punk labels.
The label is focusing limited edition 7″ vinyls. Some names of his roster:
Ty Segall, Mikal Cronin, King Khan, BBQ, Lantern, LiveFastDie, Red Mass, Straight Arrows, Movie Star Junkies.
Interview with the boss, don Gabriele

Is it a one man label or are there a bunch of fanatics?
I am Gabriel and Goodbye Boozy Recs. is a one-man label, with a lot of fanatic friends who help me buying my release by spreading them all over the world and I’m very grateful to all of them!!! I am very happy to know that the few copies I put out are going to all these „fools”!!
How does it started and when? What was the cause?

Susan from LA. Indie guitar pop with garage rock taste. Quite like a band from the better ones on Slumberland Records. Sometimes so good like the Breeders. Drummer from Texan garage rock band Cowabunga Babes, and its garage punk side project The Vomettes.
Debut 7″ on Volar Records (US)
+ cassette with 2 more songs on Burger Records (US)
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The Canadian quartet New Swears play Black Lips-like garage rock’n’roll while they name the infamous, hyper dirty ultra sexual rap gang, 2 Live Crew as influence. I think no need to say more:
„Junkfood Forever, Bedtime Whatever” LP on Bachelor Records (Austria)
They’re on Euro Tour Now!

Two London based bands
an all female post punk noise rock band with French singer and Turkish bassist:
Savages (Matador Records) &
an all Japanese psychedelic rock band, similar to another Japanese band, Boris:
Bo Ningen
are in a special collaboration

London 2012. Savages are recording the debut album. In the middle of an intense three weeks, they set out one evening to see the band Bo Ningen. A few days later producer Johnny Hostile begins to muse over the possibility of two bands playing in the same space at the same time. Concurrently Gemma Thopson of Savages is reading about the performances at the Cabaret Voltaire.
“Zurich in 1916 and Hugo Ball is instrumental in creating the Cabaret Voltaire – a club which will become central to the performances of the Dada movement, during which the artists would experiment with forms of sound poetry and simultaneous poetry. A movement created through the horror of World War One, it attempts to understand how society has reached such an illogical decision. Through simultaneous poetry begins the attempt to delve into chaos and maelstrom, to find the voice of the individual struggling to be heard. We decide to approach Bo Ningen with the idea of collaborating on a Sonic Simultaneous Poem.”
The idea begins to take shape in early 2013, they prepare for both bands to rehearse together in a studio with a loose composition based around five chapters. As the musicians of both bands consider how to apply themselves with their instruments to each chapter – revolving, colliding and intertwining with words sang in Japanese, French and English. They also envisage the physical space in which to perform.
„We imagine a stage in a large u-shape to contain as much of the audience as possible in the centre. The two drummers next to each other at the ‘bottom’ of the u, then leading around symmetrically (facing each other): guitarists, bassists and singers at the tips of the u-shape. Bo Ningen have a guitar extra, so we hang one from the ceiling to hit as you would a gong. Eventually we fix a date and a space for what we believe is a one-off performance that we name „Words To The Blind.” It was performed at The Red Gallery, London on May 29th 2013. The 37-minutes long track will be released on November 17th by Stolen Recordings (UK) and Pop Noire Records (France).
Snippets from the performance
They will do it again together this on 19 November at the Oval Space, London.
Tickets have been sold out.
Abridged version of John Schooley’s legend
„Details of the early life of John Schooley are sketchy. Various sources place his birth either in Columbus, Ohio or Vancouver, British Columbia. We do know that his family moved to the rural enclave of Niangua, Missouri when he was still quite young. His parents were sharecroppers, barely scratching out a living from the rocky soil of the Ozark Mountains. The youngest of eight or possibly nine siblings, John Schooley did not take to farming, or, apparently, work of any kind. He could be found, often as not, shirking his chores to hunch over his guitar. He would stomp his foot on a board or on the front porch, frequently scaring the cows. The family Victrola was stocked with any 78″s that could be found, mostly by Jimmie Rodgers, Blind Lemon Jefferson, Doctor Ross, and Don Van Vliet. Most evenings the family tuned to radio station KWTO out of Springfield, to hear the “Carter Sisters and Mother Maybelle with Chet Atkins and his Famous Guitar” perform as part of the syndicated “RadiOzark” network.
School was never to his liking and Schooley quit after graduating the fifth grade. Chafing at the dreary small town life of Niangua, Schooley left never to return. He rambled north to Columbia, Missouri. First trying to put together a hot-jazz combo along the lines of the then-popular Django Reinhart, but he was unable to find suitable musicians. Then, billing himself as “John Schooley and His One Man Band”, he rigged up a kick drum and hi-hat and began performing at “house frolics” and on the sidewalk in front of local record store Whizz Records. He met with minimal success. He was frequently chased away by the proprietor with a broom shortly after setting up. Being unwilling (or perhaps unable) to learn pop hits of the day, Schooley tried to force his listeners to dance to his own frequently atonal blend of blues and country, again with minimal success.

The musical scene in Columbia was so stagnant that when it was announced that bluegrass stars The Oblivians were coming to town, Schooley was able to secure the opening slot even though he had no band together at the time.” He founded the guitar, drum, and vocal trio The Revelators. Surprising success. „When the record, titled “We Told You Not To Cross Us” was released it caused a sensation in at least three Missouri counties and parts of Arkansas and Illinois. The Revelators were immediately rushed off to a whirlwind tour of Europe, which included performances for the as-yet not-dead Princess Diana and Archduke Ferdinand.”
After the break-up he went to Texas „and took whatever work he could find, from oil roughneck to hotel elevator operator. He eventually started another musical combo, the Hard Feelings” while he continued performing as one man band. He added harmonica, snare drum, and washboard to his kick and hi-hat apparatus and recorded some songs. „Voodoo Rhythm recently uncovered the tapes of these songs, long presumed lost, in an oil drum outside of Lockhart, Texas.” Album preview
„The Man Who Rode The Mule Around The World” LP, CD
on Voodoo Rhythm Records (CH)
Euro tour with Urban Junior in Sept-Oct.
A missing moment of his legend: toured as an additional guitar player for the blues legend R.L. Burnside.
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The Family Fodder is among the funniest British bands ever. Since the mid-70s they have been playing really indie pop music, but literally! It’s independent from everything. So the best. Now here is a vinyl-only collection of 11 love songs, that have never before been released on vinyl. Alig Fodder says about it: „We collected all the love songs together without all the annoying instrumentals, dubs and solos.”
„Just Love Songs” LP on Staubgold Records (France)
You can find some music videos in reference to this album on their site.

The Dale Cooper Quartet is a trio, of course. But they never play as a three piece band naturally, because there’re The Dictaphones. The band originally formed as a quartet for an improvisation night in Brest (France) in 2002 in order to play a strange mix of Angelo Badalamenti and the German slow-core-jazz band, Bohren & Der Club of Gore style music. Mysterious, dark, smoky, jazz, exactly like a film by David Lynch. While they’re also under influence of Bretagne’s weather, landscape and people, of course.
from their first album „Paroles de Navarre” (2006).
It’s re-released by Denovali Records (Germany)
Denovali Swingfest, Oct 2-5, Essen with Frederico Albanaese (I), The Haxan Cloak (UK), Ensemble Economique (US), Pan & Me (F), Bohren und der Club of Gore (Ger), Never Sol (Cz), Thees Silver Mt. Zion Memorial Orchestra (Can), Ben Frost (Aus), The Samuel Jackson 5 (Nor) and more.
The program of Denovali Records varies from sometimes improvised darker experimental sounds, ambient, drone, indie and electronica to darkjazz, jazz or piano and string driven modern compositions.
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There’s a book by Judy Blume: Are You There God? It’s Me, Margaret. It’s „about a girl in sixth grade who grew up without a religious affiliation. Margaret’s mother is Christian and her father is Jewish, and the novel explores her quest for a single religion. Margaret also confronts many other pre-teen female issues, such as buying her first bra, having her first period, coping with belted sanitary napkins (changed to adhesive sanitary pads for recent editions of the book), jealousy towards another girl who has developed a womanly figure earlier than other girls, liking boys, and whether to voice her opinion if it differs from those of her friends.”
About these problems with really various style music from pop to punk by all-star girl group of Canberra, Are You There God? It’s Me, Margaret. And surprisingly they’re so good than there we’re sold out shows only. Yes, were. The final show was on 15 Aug.
digital EP on Cinnamon Records (Aus)

The audience say:
„Holy crap. It sounds like early Pixies went black metal.”
„It’s like the Dum Dum Girls and Dark Throne.”
The competent, Jorge Elbrecht reply:
„I love black metal as much as I love Sonic Youth and the ’60s pop stuff.”
I say: It comes the Liturgy to my mind.
debut 7″ and digital single of CORAL CROSS – 001 on Mexican Summer
Elbrecht is member of Lansing-Dreiden art collective, and indie guitar pop band Violens. He made collaborative albums with Ariel Pink, Tamaryn and Caroline Polachek (Chairlift).

Second common work of Hawaiian born half Chinese/half American experimental guitarist Dustin Wong (was in Ponytail) and Japanese pop star Takako Minekawa. It’s more playful than the previous one, because there are more J-pop moments. Takako sings about quantum physics, human consciousness, and flying above a desert all within the framework of Japanese puns in the song “She He See Feel”
„Savage Imagination” LP, CD on Thrill Jockey Records (US)
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Obnox is Bim Thomas Lamont, the drummer of raw blues band Bassholes. He has plenty of drive because he is working on two albums at the same time now. But before everything else he has thrown out an EP which is stuffed his basement jams. Harsh distorted rock and roll sometimes is like a strange Ministry.
„The Juke That Sat By The Door” EP on Chunklet Records (US)
First two albums of Tinariwen will be released on vinyl first time by Light In The Attic Records (US). Tinariwen is a bunch of Tuaregs, they play traditional Tuareg music,
which is influenced by blues and Hendrix.
„WE LOVE ALL THE DESERT, THESE ARE PLACES
WHERE WE FEEL GOOD TO LIVE AND TO CREATE.”

3 tracks from the album „Amassakoul” which was released originally in 2004.
Tuaregs are nomadic people in the Sahara. When African countries achieved widespread independence in the 1960s, the traditional Tuareg territory was divided among a number of countries. The situation naturally led to some (unsuccessful) uprisings. They’re living as refugees in some countries of Africa.
“TINARIWEN IS A BAND BORN INTO CHAOS.”
The founder, Ibrahim Ag Alhabib saw a cowboy to play on guitar in a western film in his childhood. After the happy end he fabricated his first guitar from a tin can, a stick and bicycle brake wire. He has formed his band in a Libyan Tuareg refugee camp, where they were under military training in 1979. When the revolution broke out in their homeland in 1990, they left Libya behind, put down their instruments and took up guns to fight for the Tuareg independence in Mali. When the conflict died down, the band returned to music. And they have become successful refugees around the world.
The first album ” The Radio Tisdas Session” almost in full.
It was released originally in 2001.
For Tuaregs the Sahara is not one desert but many,
they call it Tinariwen, id est: The Deserts.

Great Greek psych garage rock by Acid Baby Jesus in a little oriental or maybe in giallo mood
7″ single on Slovenly Records (US & Europe)
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The Cleveland based Prostitutes are „Primitive Technology Specialists” and have experimental psych/prog rock background. And they are James Donadio himself. His roots have gone back to the 90s when he played on bass in Speaker/Cranker together with members of Pere Ubu, Guided by Voice and other less known local bands. What they did came mostly from bands like Can, Amon Duul and Neu. The Flat Can Co was his next and similar style band. Now he makes noisy minimal analog techno with same attitude. His label‘s slogan is „Primitive Technology Specialists”
„Nouveauree” LPon Night School Records (UK)
You can find more music here