Post Plague

ODONISCUT

Canadian chaos brigade Odonis Odonis has come back with his psychedelic electro industrial post punk music

New album Post Plague by Felte Records (US/EU), Telephone Explosion (Can), Geertruida (NL)

IN EUROPE Jul 16 Patronaat, Haarlem, Netherlands – Jul 17 Centrum Den Haag, The Hague, Netherlands – Jul 19 Kinky Star, Ghent, Belgium – Jul 20 The Waiting Room, London, United Kingdom – Jul 22 Super Sonic, Paris, France

T-REX FROM A TINY SPACE YOJOUHAN

NEW GUITAR WOLF ALBUM

T-REX FROM A TINY SPACE YOJOUHAN

SUPELSONIK LOK N LOLL

 

Guitar Wolf formed in Harajuku in 1987. The Goner Records in Memphis has been founded because Eric Oblivian wanted to release their first album in 1993.

Cassette on Burger Records (US)

inspired by heartbreak, mortality, and financial struggle

Monster Treasure is a punk noise rock band sometimes with a very little black metal feeling in Stockton, California. In its very early years in the middle of the 19th Century the city was called Mudville.

Their songs are inspired by heartbreak, mortality, and financial struggle

Debut album by Leisure & District Records (UK)

Some shows in UK in May

Thurs 19th – LONDON at The Old Blue Last with Living Hour (CAN)
Fri 20th – NORWICH at The Owl Sanctuary
Sat 21st –  LONDON at The Lock Tavern, FREE ENTRY
Mon 23rd – LONDON at The Lexington with NOTS (US, Memphis, Goner Records)

A free download song from the debut album

30 years of The Monsters

This year The Monsters – the band of Reverend Beat Man, Voodoo Rhythm Record boss and his male club – turn 30 years old. To celebrate this nice round anniversary, they re-released their – by now totally unavailable – 1995 10”, originally released by the German Jungle Noise Records on CD and LP, supplemented by 7 more songs.

beat-man

This was the first Monsters album where they used electronic bass instead of the double bass, and since their guitarist left the band, Beat Man remained alone at that position. So he distorted the hell out of his guitar. In addition the band decided that they will not deal with studios anymore, and record the whole album at home on an AKAI 1224 recorder, and that should be it!

This way, they nicely departed from the psychobilly sound of their first two albums, in a GOOD way, the RIGHT way, that is none other than the TRASH FILTH BRAIN-FUCKING PRIMITIVE ROCK N ROLL!!!

And on the occasion of this anniversary release, let me tell you a personal story.

Exactly 10 years ago in 2006 I found out that The Monsters will play in Graz. I told my – then girlfriend, now beloved wife:
– We are going!
– OK, but we hardly have any money.
– Let’s hitchhike! Budapest-Graz is not that far.
– OK.

To tell you the truth, none of us thought that we would ever hitchhike abroad for a concert; we were no teenagers, not even twenty-somethings, and we were over thirty. We had some pretty good rides though, the last one being an Italian owner of a sweets shop in a suit who was heading exactly to Graz to attend his new shop before its opening. He insisted that we visit his store too. We didn’t really feel like doing so, but said SURE. It was getting dark already by the time we got to the pastry shop, he opened the store, all three of us went in, he was explaining all kinds of things to us while everything was foiled up (there was some renovation going on), and this Italian guy in suit with a mustache.  The whole thing was as we were in a gore movie, so I told my girlfriend, let’s get the hell out of here! We left our guy there and stepped outside to the street, and who was walking across the street? The Monsters! Of course we told them right away that we are their fans from Budapest and we are heading to the concert! A magnificent moment, I will never forget: Marta all smiley, hugging Beat Man and padding his shoulder. And him, being a gentleman, offered to take us in to the concert. Danke Schön! This way we could also buy some records.

The concert was extra super, both of us had quite some vodka, and the whole audience was really getting into it, dancing and so on. Everything was just wonderful except for the one manager who discovered us sleeping in behind one of the speakers after the concert, and kicked both of us out.  Afterwards things became a bit torturous; going through the trash early morning at the railway station (I found a handful of unopened chocolates – though melted) as while dancing during the show I managed to lose all our sandwiches that were in our pockets. Then we came across an old (Hungarian!) gypsy who advised us to go back through Wien. Then we were on the train from Graz to Budapest in the morning, no tickets of course, trying to hide from the conductor till we are in Hungary, then my good ole trick with the conductors there, and we are already at home. True, it was tiring, but it was worth it! And I am not only saying this after 10 years, but also when we got home back then, and opened up our first beer in the kitchen.

Here are two little videos from this concert:

And now a few words about the album. How would a record be like that starts out with ‘Psych-out with me’? Awesome! Brutal party R n R! Then the song ‘Searching’, hard as Venom; then pot hymn ‘Pot’, then one of my favorite, ‘It’s not my way’, perfect fast pogo punk song!!! And damned be whoever’s legs don’t start moving after listening to ‘The Rock around the tombstone’ – he or she is hopeless! Then a fucking great Rolling Stones cover, ‘Play with fire’, and so on. Oh yeah, and all bonus tracks are also great! It’s worth keeping in mind that this brutal rock n roll record was recorded and put out during 94-95!

Note: Today it is worth to follow Voodoo Rhythm’s own Instagram page, where you can continually discover such treasures like this photo down here:

beat-boy

So a lot of things were trendy during the 90s, but a record sounding like this surely wasn’t! On one side all the Seattle rip-offs were going on, techno and all kinds of electronic dance music was coming in, and everyone was trying to figure out how to force together genres that were completely different from each other. On the other hand only people who really knew and liked the Ramones and Moorhead were wearing their t-shirts, even if they could not pronounce their names correctly (Motorhead or Matorhid were in quite widespread usage, and I for one did not know a single soul that pronounced the Ramones Ramonz vs Ramonez). Of course back then I did not even hear about The Monsters.

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magyarul

Blue Thunder from Brazil

Galaxie 500 was an influential American indie rock band between 1987 and 91, and released three albums. Somebody said their music is such as if Jonathan Richman (The Modern Lovers) would be backed by The Velvet Underground.

galaxie500

The Blog That Celebrate Itself Records in Sao Bernardo, Brazil just has released a „name your price” tribute album. You can find there indie, dreamy, psychedelic rock, for example also by a big favourite, the Mexican psychedelic rock duo Lorelle Meets The Obsolete. While I was listening to the album just lay on my bed, sometimes dropped off a little, sometimes sipped my beer, and said: so good. Because it is long enough, it is perfect for longer snoozes too.

Cheap Vinyls from HOMELESS

HOMELESS RECORDS 4th BIRTHDAY SALE

FOR THE MONTH OF MAY

homelessrecs

Aussie label, great shitty post and punk and noise and rock bands

playlist > Cuntz (AUS), Spray Paint (Texas), Deaf Wish (AUS), Yes I’m Leaving (AUS), Subtle Turnhips (France), Bits of Shit (AUS), Dan Melchior (UK/US), The Stabs (AUS) and Gentlemen (AUS)

Here is the Homeless catalogue. Hey, the prices are in AU$!

murder rape torture

anybody by self-interest, occassionally – it’s a crime

institutionally, on ideological base, en masse – it’s a policy

from the new album of French garage rock band Sapin

on Howlin Banana Rds & Beast Rds

„you want to know something? We are still in the Dark Ages. The Dark Ages — they haven’t ended yet.” – Kurt Vonnegut

Our Black Godfather Is Here Again

andre2

bad motherfucker wanna go back to Detroit

where his career has started in a talent show at his age of 15 right after he was bad conduct discharged from US Marine Corps because of fraudulent enlistment in 1951.

New album I Wanna Go Back To Detroit in June by Bloodshot Records. Full of low-end heavy funk. With guitarists Matthew Smith (Outrageous Cherry, Rodriguez) and Dan Kroha (Gories, Demolition Doll Rods), with drummer Jim White (Dirty Three, Cat Power) and more.

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Q: Speaking of Jewish people, we hear you are a recent convert to Judaism. How did that come about?

AW: Well, I met a lady who I like real well and she’s from the Naftali tribe, she’s Jamaican. She’s a lawyer and she said „Well, Andre. If we gonna do something, you’ve gotta skin down!” [Laughs]

Q: Was it err.. painful?

AW: Well, it was an experience! I went to the doctor’s office and more in his best interview ever

 

Deerhoofbeat

All sorts of stupid phrases have been said for their music, e.g.: experimental, avantgarde, noise, art rock, but Deerhoof is just one of the best pop bands in the world. Brand new song with a kind of j-pop feeling a la Cibo Matto

Deerhoof formed as a drum’n’bass duo in San Francisco in 1994. In 1995 Satomi Matsuzaki joined them as a singer within a week of arriving in the United States from Japan without any band experience, and went on tour only a week later… Later she would be the bass player too.  And a guitar player is there too, not of course. If you want more music click

Are you interested in pop music?

The Ballantynes are a seven piece Canadian garage soul funk band. United by the common goals of dancing, drinking, and reveling in each other’s company.

A tribute to Dale Cooper’s dreams & David Lynch

from the album Dark Drives, Life Signs on La-ti-da Records

Free download brand new track

La-ti-da interview on RNR666

 

DENIM DELINQUENT 1971-76 Fanzine Complete Re-issue

hozacbook_fanzine

It was founded in Ottawa, Canada. After the first two copies it moved to Los Angeles.

Complete re-issue by Hozac Books (US)

Denim Delinquent Facebook   Wikipedia

And there is another interesting Hozac book

Noise In My Head: Voices From the Ugly Australian Underground

Because of a Broken Heart

At the beginning Peter Kernel was a quartet. Because of a broken heart and a new girlfriend during the time it has become an international team of friends around the world and two core members, Canadian Barbara Lehnhoff, and Swiss-Italian Aris Basetti.

On the drums now the number 7 member, Ema. „The first time we met Ema was in 2010 and we thought: “Naaa, he’s a 2 meter tall rasta playing drums in a metal band, he can’t be right for us”. From the latest album Thrill Addict on On The Camper Records

More about the twenty some members

And there is Camilla Sparksss, electro noise wave alter-ego of Barbara. Short interview on rnr666.


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