A következő oldal a nyugalom és a közízlés megzavarására alkalmas!
Böngészését kizárólag:
látogatóknak ajánljuk!
Ennek tudatában:
rock n roll for dumb kids from Australia: GEE TEE
60s garage rock for dumb adults: THE SPOOKIES: members from Italian garage folk rock Mojomatics and psych rock group Squadra Omega together with Pantichrist Butler from American 80/90s garage rock band The Miracle Workers. He has relocated to Switzerland where worked together with Lightning and Reverend Beat-Man, nowadays he is in The Shit. On bass D. P. Jørgensen from Danish garage beat bands David Peter And The Wilde Sect and The Youth.

loud, snotty, boozy, punk rock’n’roll for smart humans by BETA BOYS from US
Canadian PHONE JERKS originally formed as a punk cover band for party dogs, but anyway they are currently available for children’s birthday parties too.
US garage punk rock and roll for mutants by ANDY HUMAN & THE REPTOIDS
GOODBYE BOOZY INTERVIEW by RNR666
This year Swiss rock and roll band The Monsters turned into his 30th. The Monsters are such a phenomenon like Motörhead. They also have a very own style. „M” is the 2nd of the 3 anniversary albums. It is a muck pile for trash rockers. Raw, short, fast songs almost without melodies, but with minimlaist lyrics. Exempli gratia
And the penmanship is laudable. Every info is written by hand with blue and red pens. It has brought my self-decorated high school’s books to my mind.
„M” OUT NOW ON VOODOO RHYTHM RECORDS! Anyway the title of the album is taken from Fritz Lang’s film „M”. Here is
Record release tour in November Switzerland, Germany, Austria, Holland, Norway, Belgium.
Az idén 30 éves The Monsters zenekar egy három részes sorozattal (az elsőről itt írtunk) ünnepli meg e jeles évfordulót, és örvendeztet meg minden jóravaló trashrockert. Íme a második kis mocsok halom, a hetedik The Monsters studió album, az ‘M’.
Amitől azt kapod amit megérdemelsz. Kopogtatnak az ajtón, kinyitod. Ott áll négy középkorú férfi, az egyik se szó se beszéd rád borítja egy 120 literes kuka teljes tartalmát, kiröhögnek és húznak is elfele, de az egyikük még oda szól, hogy most a szomszéd következik, és ha akarsz, menjél te is velük. Te meg ugye vagy mész, vagy maradsz otthon. A négy középkorú férfi természetesen a Monsters négy tagja.
Végül is a Monsters olyan jelenség, mint a mondjuk a Motörhead. Nekik isvan egy saját nagyon karakteres stílusuk, és azon belül mozognak lemezről-lemezre ilyen-olyan irányba. Ez most jó töményre sikeredett: a hangzás nyers, a számok rövidek és elég gyorsak, a dallamok szinte teljesen mellőzve, a szövegek a lehető legminimalistábbak (az első három dal szövege a számcím maga párszor elhadarva: Baby you’re my Drug / Dig my Hair / I can’t stop, oszt heló).
A külalak megint csillagos ötös, szaktanári dicsérettel! Minden infó, plusz a dalszöveg kézzel írva kék és vörös golyóstollal vagy filctollal – gondolom Beat-Man munkája. Kurvára a saját magam által felturbózott középiskolai tankönyveimet juttatja eszembe.
Ja, és a lemez a címét Fritz Lang 1931-es filmje, az ‘ M – Egy város keresi a gyilkost’ után kapta. Igen jó film, itt megtalálod angol felirattal.
Release Date Oct 28.2016
– Vinyl Album with Free CD + Posters
– Audio CD With Double Paper Back cover
Record release tour in November Switzerland, Germany, Austria, Holland, Norway, Belgium.
EARLY START FOR EASY WAKE UP!
11 éve várunk erre a naprarégi poros blues lemezek, gospel, koszos garázs rock, és olyan pszichedelikus rockzenekarok, mint a Spacemen 3, vagy a 13th Floor Elevator a fő hatások
újabban dub technikát is használnak, akár még reggaenek nevezhető számuk is van, első lemezük viszont nagyon punkos, nekem az a kedvencem
olyanokkal koncerteztek, mint Acid Mothers Temple, Sonic Boom/Spectrum, Black Lips, Disappears, Strange Boys, Psychic TV, Martin Rev (Suicide) vagy Spiritualized
kiadja a Voodoo Rhythm Records
2016 09 26 20:06
TRAFIK KLUB, BUDAPEST, MIKSZÁTH TÉR,
ZAPPA CAFFE ALATT, BEJÁRAT A SZENTKIRÁLYI UTCÁBÓL
JEGY: 1000 HUF FACEBOOK EVENT

The band was founded 25 years back by three countryside brothers after they went to a Spacemen 3 show in the nearby big city. Their music is distorted rock and roll of the 50-60 years with a big spoon blues and dub technique in highly psychedelic manner. They’ ve only released 3 three albums on Voodoo Rhythm Records. In 2014 they made music for a documentary Tino – Frozen Angel about legendary Swiss counter-culture hero Martin „Tino” Schippert (1946-81), who was the president of Swiss chapter of Hell’s Angels. Because of a rape the Angels became a target of prosecution, he escaped from Switzerland. He lived in Lebanon, where he worked as a hashish farmer. But finally he went to Bolivia, and died there in a small village Tutilimundi, it means All Worlds.
On their albums there are some covers. Now you can listen to the original and the cover ones too
About the songs
Johnny B. Goode is a 1958 rock-and-roll song written and first recorded by Chuck Berry.
Little Anthony and the Imperials is an American rhythm and blues/soul/doo-wop vocal group from New York City, their first single was Tears on My Pillow in 1958.
The song It Hurts Me Too is a blues standard. First recorded in 1940 by American blues musician Tampa Red. Elmore James (1918 – 1963) who was an American influential blues musician, recorded his own versions in 1957, and in the early 60s.
David „Junior” Kimbrough (1930 – 1998) was an American juke joint blues legend. Whose first single was released in 1967, but his first album came out just in 1992 by Fat Possum Records. The song Baby Please Don’t Leave Me taken from his last album Meet Me In The City (1999). In 2005, a tribute album was released with such artists as Iggy Pop, Mark Lanegan, Jack Oblivian, Black Keys, Spiritualized or Blues Explosion. Even Daft Punk also made a 15 minutes long re-edited version of a Kimbrough’s song I Gotta Try You Girl in 2016. Reputedly he was survived by 36 children.
The Ballad of Casey Jones is a traditional song about railroad engineer Casey Jones. It tells of how Jones and his fireman Sim Webb raced their locomotive to make up for lost time, but discovered a freight train ahead of them on the line, and Casey tried to stop the machine and save the passengers. His body was found lying under the cab, with his skull crushed and right arm torn from its socket. The fireman jumped just in time to save his life. The express messenger was thrown against the side of the car, having two of his ribs broken by the blow, but his condition is not considered dangerous. The train was only two minutes behind schedule.
Soon after Casey’s death (30 April 1900), the song was first sung by engine wiper and friend of Casey to the tune of a popular song of the time known as „Jimmie Jones”. As railroaders stopped in Canton, Mississippi they would pick up the song and pass it along. American country blues guitarist Walter E. „Furry” Lewis (1893 – 1981) recorded his version in 1928. Anyway he was a street sweeper for the city of Memphis, he held this job until his retirement in 1966.
Red Foley (1910 – 1968) is one of the greatest country musicians. He was an inspiration to rock ‘n’ roll, in particular Jerry Lee Lewis and Elvis Presley, who both covered many of his songs. Will the Circle Be Unbroken? is a popular Christian hymn, was written in 1907. The Red Foley version was published in 1958.
Swing Cremona is the fifth LP from Pierre Omer, but the first from Voodoo, even though their relation to Beat-Man is very old – from the seven LPs of The Dead Brothers (Swiss ‘funeral’ Rock n’roll) six were released by Voodoo, and members also regularly play at Reverend Beat-Man albums.
As the name of the band already suggests, this is a swing album, their own compositions, couple covers (Louis Armstrong, Duke Ellington, Irving Berlin) and also the swinged version of ‘Miserlou’ familiar to many from Pulp Fiction. And I bet there is also one cover that RNR666’s favorite little toothless sonofabitch, Jerry Dammers (of the Specials) also played already.
I can again say this is a very good record, and not just for grandfathers! I consider myself an honest punkrock’n roller who also fancies death metal, and I still like it! Needless to say this stuff is light years from the pseudo-swing / old-timer crap that is so popular now in Hungary.
The mad professor-like character is the noxious communist vampire, Bela Lugosi, who evicted mayor of Budapest under the dictatorship of the proletariat in 1919 >>>

This why one loves Voodoo Rhythm Records (for this as well..): Every now and then they find a brand new, young, only locally known band, like this one band from Naples that formed in 2015 (last year in other word) and they release them on vinyl and CD – pick your format.
What kind of band names itself ‘The Devils’ in 2015? One that’s young, dumb ass, don’t give a damn, simple, self-confident, and one that gets to the point. Well, all these fit them I think. The fact that they got their name after the 1971 Ken Russel movie, The Devils, sheds some light on why these lovers are dressed as a priest and a nun. According to them, they grew up on blues and punk, and they listened to a bunch of underground bands such as The Cramps, Hound Dog Taylor, The Gories, Jon Spencer, Fugazi, Hasil Adkins, The Oblivians.
They recorded their LP in Montpellier with Jim Diamond (bassist of The Dirtbombs!!!) when Beat-Man happened to be in the area, and he signed them right away. And rightly. The Record. When I say 10 songs in 17 mins, you can already suspect there are no elongated intros, psychedelic parts, etc. Instead we have hysterical grind and FUZZZ orgy!!!! Brute and primitive, so much so as the 17 minutes seems more like 37, and you don’t really have any feeling you are missing anything.
The lyrics also follow this concept. The obsessed repeating of words and half sentences. “Onan came on the floor / the priest touched me harder” and that’s it. Or “This town once was wild / but now it’s drunk” repeated 15 times. The music is of course total trash rock n roll, but towards the end of the record there are some instrumental pieces, that – if you were to repeat them for 1-2 minutes – could go for a stoner song, similar to very early Kyuss. And sometimes they remind us of our Finnish brothers, Black Magic Six (also a duo). Great release, great band, I definitely feel we will see them on the RNR666 stage soon!
CATASTROPHE
by VIRUUUNGA, a psych post punk duo from Switzerland, taken from the debut EP ‘Spank’ by ON THE CAMPER RECORDS, out in October. You can download this song
Ezért szereti az ember a Voodoo Rhythm Records -ot (ezért is!)! Időnként előkapnak valahonnan egy vadiúj, fiatal, max helyi szinten ismert bandát, mint ezt a 2015 ben (írhattam vóna, tavaly) alakult nápolyi brutál duót, oszt kiadják bakeliten, cd-n. Kinek melyik a szimpatikusabb formátum.
Mégis milyen banda adja magának a ‘The Devils’ nevet 2015 ben? Hát, fiatal, hóthülye, beleszarós, egyszerű, magabiztos, lényegretörő. Na, ez mind igaz is rájuk, azt hiszem. Némileg árnyalja a képet, és megmagyarázza miért visel ez a szerelmespár papi ill. apáca öltözéket a színpadon, ha tudjuk, hogy a nevet az 1971- es Ken Russel film, az Ördögök után vették fel.

Elmondásuk szerint Blueson, punkon nevelkedtek, és egy rakás underground bandát hallgattak, olyanokat hogy: The Cramps, Hound Dog Taylor, The Gories, Jon Spencer, Fugazi, Hasil Adkins, The Oblivians. Hát ebbe a sorba nem nagyon lehet belekötni….
Na. Ez év februárjában vették fel a lemezt Montpellier -ben Jim Diamond -al (The Dirtbombs basszer!!!) midőn Beat-Man is éppen arra járt, és egyből szerződtette őket. Nagyon helyesen.
A lemez. Ha annyit mondok, hogy 10 szám 17 percben? Akkor már sejthető, hogy itt bizony nincsennek hosszú intrók, pszichedelikus elszállások, egyebek. Dara van, hisztérikus, mániákus tekerés és FUZZZZ orgia !!!!!! Primitív és durva. Annyira, hogy a 17 perc inkább 37 nek tűnik, és nem is nagyon van hiányérzete a hallgatónak.
A dalok szövege is ugyanezt a koncepciót követi. Szavak, félmondatok mániákus ismétlése. „Onan came on the floor / the priest touched me harder” oszt kész. Vagy „This town once was wild / but now it’s drunk” 15 ször egymás után…
A zene persze totál trash rock n roll, de a lemez vége felé van pár instrumentális szám, aminek egy-egy témáját ha mondjuk 1-2 percig ismételgetnék takaros kis stoner dal is lehetne belőle, mondjuk olyasmi mint a nagyon korai Kyuss. Ja, meg néha finn testvéreink, a Black Magic Six is beugrik (akik úgy szintén duoban nyomják).
Nagyon jó lemez, nagyon jó banda, határozottan úgy érzem, hogy látni fogjuk őket RNR666 színpadon hamarosan!

Ez Pierre Omer ötödik nagylemeze, de első a Voodoo-nál, a kapcsolat Beat-Man és közte viszont nagyon régi, hisz Omer anyazenekarának a The Dead Brothers-nek (svájci ‘funeral’ Rock n Roll band) eddigi hét nagylemezéből hat a Voodoo-nál jelent meg, és Reverend Beat-Man albumokon is rendszeresen játszanak Dead Brothers tagok.
Ahogy a zenekar nevéből is sejthető ez egy swing album, saját dalokkal és pár feldolgozással (Louis Armstrong, Duke Ellington, Irving Berlin) és a leginkább a Pulp Fiction-ből ismert ‘Miserlou’ is be lett swingesítve. Szerintem van olyan is a feldolgozások közt, amit az RNR666 kedvenc kis fogatlan rohadéka, Jerry Dammers (the Specials) is játszott már.
Megint csak azt tudom mondani nagyon jó lemez, és nem csak nagypapáknak! Én kéremszépen egy becsületes punkrokkernek tarom magam, aki a death metáltól sem ugrik meg, mégis tetszik! Persze mondanom sem kell, hogy ez a cucc fényévekre van a Magyarországon oly népszerű kamu swing / old timer szarságoktól
Old Man Mose from Louie Armstrong