A következő oldal a nyugalom és a közízlés megzavarására alkalmas!
Böngészését kizárólag:
látogatóknak ajánljuk!
Ennek tudatában:
I have already known about that the cats meowing differently by regions – a project is running in the Swedish Lund University about cat saying; the Cat – Swedish dictionary will be presented around 2021. But today I have got known about that the song birds sing on higher tune because of the greenhouse effect, and UFO migrants are on the Moon, and another Aussie band, LEAVINGS

This single is their debut release before the forthcoming LP. During the first listening I have written down what came to my mind: Sonic Youth, Nirvana, HC-Punk
They say these „tracks represent the band’s response to the frustration of living in an Australia whose leaders become nastier and more cynical with each passing year.”
They write: RIYL: Unwound, Flying Nun records, The Men, Rosetta, Fugazi, Japandroids, Sonic Youth, Blank Realm, Neu!, P.K. 14, mewithoutYou, Turnpike, A Place to Bury Strangers.
Sell & Shark is available in digital format from TENZENMEN RECORDS and LEAVINGS‘ bandcamp. Physical copies can be obtained directly from the band, and from various record stores in Sydney, Melbourne, Brisbane, Adelaide, and Gold Coast.
Anyway if you would like to watch a perfect MONTY PYTHON EPISODE ABOUT MEOWING RESEARCH, then click the video in the article on Lund University website!
Fucker is a Japanese musician, the founder of Less Than TV, an outsider record label, which tends to be even more outsider than usual. He plays weird folk punk alone, and as a member of Folk Shock Fuckers with his wife Blue Yukari from all-girls ni-hao! („just like Melt-Banana with Cibo Matto with Boredoms with Takako Minekawa with OOIOO with Omoide Hatoba”) on bass, and Takeda Kazunaga, who plays on Cajon, a Peruvian box shaped percussion instrument.
First song from Fucker debut album, will released on 20 April, second one (In My Riffle) from Folk Shock Fuckers debut from 2014, it has been re-released now by Aussie label Tenzenmen. Listen to the full album

Russian band uSSSy originally played noise-rock with elements of blues, techno and black-metal. By the third album of the band they became a drum’n’guitar duo, and development of the band went in the direction of Middle Eastern music. The unique sound of the band is the result of use of a specially modified baritone guitar, which were mounted additional quarter-tone frets, just as those made by Middle Eastern instruments. In 2014 Artem has left the band. Pavel continuous to play by his own as Holy Palms.
A digital compilation album out now by Aussie label Tenzenmen: noise-rock with elements of blues, techno and black-metal and Middle Eastern tunes. Frenetic
Whooa! It’s a fucking good band – I said during the listening to the recordings, despite I am not a big fan of math rock. And finally it turned up that two bands’ songs was mixed up in my player, the Ukrainian Gravitsapa, and the Italian Astolfo Sulla Luna (Astolfo on the Moon).

Astolfo plays quantum mechanic rock which is based on uncertainty principle under strong influence of literature. „Obnoxious, antiseptic, mathematician, restless, unreal, evil, tender.” Synthesize the reality and then spit it out with delay distortions. Anyway „Astolfo hates you. But basically, it is hated by everyone…” And he has a horn, so loud that his all enemies to flee in terror when it sounds.
Astolfo is one of the 12 paladins of Charlemagne, went to the Moon on Elijah’s chariot of fire to search his friend Orlando’s wit. Because on the Moon „is wonderfully stored / Whatever on our earth below we lose. / Collected there are all things whatsoe’er, / Lost through time, chance, or our own folly, here.” And there Astolfo of course found Orlando’s wit in a bottle – by poem of Ludovico Ariosto (1474-1533).
But chariot of fire does not run too often, so if we want to travel to the Moon because for example do not find our mental balance, we maybe can use a Pepelats interplanetary spacecraft. And it has an important component which allows intergalactic travel: Gravitsapa. From which this Ukrainian math rock band has got his name.

„Musicians do not expect to find understanding on Earth, so they are trying to gain spiritual experience and create music as divinities for new audiences of spiritual connoisseurs of inadequate.” They are constantly compared with King Crimson, which band was unknown for them, and mainly inspired by film directors: by sincerity of Jodorowsky (Chilean scholar in comparative religion, playwright, director, producer, composer, actor, mime, comic book writer, tarot reader, historian and psychotherapist), craziness of Lynch, atmospheric of Sokurov (Russian), conceptuality of Yevgeny Yufit (necrorealist Russian) and the monotony of Hungarian Béla Tarr. And Pepelats comes from a Soviet sci-fi black comedy Kin-Dza-Dza!
When I listened to them two bands came to my mind: the proto math rock hardcore jazz Victim’s Family, and the Dutch jazz punk band Morzelpronk.
Astolfo Sulla Luna – Ψ² CD + digital album. (Vinyl version from the band) &
Gravitsapa – Radio Free Vulgata digital album (It contains two EPs from 2013)
released by Australian label TENZENMEN
„We are not rock star, we’re all just ordinary people!”

„This is the beer soaked sound of the Henan suburbs”
7″ vinyl and digital single on Tenzenmen (Aus) and Genjing Records (China)
more THE FALLACY music

Bulbul started as a one-man band with guitar, drum machine and vacuum cleaner in Austria. It became a trio. They speak numerous musical languages from jazz to metal. They did cooperation with Leonid Soybelman (Ne Zhdali, Kletka Red), KK Null (Zeni Geva). Horribly funny music.
„Hirn fein hacken” album on Exile on Mainstream (Germany)
and Rock is Hell Records (Austria)
Some shows in Austria, Germany, Czech and Switzerland
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Carsick Cars are among the leading alternative Chinese rock bands. They describe themselves as noise rock band, but the measure of noise shows low degree. (Perhaps the Chinese notion about noise differs from the Western conception.) Soft Sonic Youth-like, Velvet Underground influenced indie rock with Chinese motifs on a surprisingly good album which was co-produced by Hamish Kilgoure from The Clean! (Influential New Zealander indie rock band.)
„3” album via Maybe Mars (China) and Tenzenmen (Australia)
Their side projects: 1. White+. Kraut-like electronic duo. First CD was produced by Blixa Bargeld (Einstürzende Neubauten, Nick Cave & The Bad Seeds).
2. One of my fav Chinese bands: Snapline. Post punk trio. Debut album was produced and released by Martin Atkins (drummer of PIL, Pigface and many more).
An interview about the Chinese musical underground