A következő oldal a nyugalom és a közízlés megzavarására alkalmas!
Böngészését kizárólag:
látogatóknak ajánljuk!
Ennek tudatában:
– Why is the Latin American psychedelic scene so strong?
– Because it is in their blood – said Mr. Obsolete.

Mexican duo LORELLE MEETS THE OBSOLETE plays amazing haunted psychedelic kraut-like rock songs about the uncertain.
NEW ALBUM „BALANCE” OUT NOW on Captcha Records (< You can listen to the full album, US), Sonic Cathedral (UK)
Euro tour Sept – Oct
CATASTROPHE
by VIRUUUNGA, a psych post punk duo from Switzerland, taken from the debut EP ‘Spank’ by ON THE CAMPER RECORDS, out in October. You can download this song

In 1992 when the coach of the gothic country band Denver Gentlemen temporarily broke down David Eugene Edwards went forward with 16 Horsepower, while Slim Cessna has found his Auto Club, a christian, but apocalyptic country band. And so punk, that Jello Biafra signed them for his label Alternative Tentacles. (For what he was critizised by the dumb punk community.) But the new album ‘The Commandments According To SCAC,’ will be released soon by their own label SCACUNINCORPORATED in the US, and Glitterhouse Records in Europe.
BIG MOUNTAIN COUNTY is a relatively new but great psych garage rock band somewhere in Rome. They are blessed with ability to write hits, even in the manner of Butthole Surfers. Moreover the bassplayer Wolfman Bob is our old comrade. He played at rnr666 party in Budapest with three different bands: wild garage rock Ultra Twist, lo-fi punk Trio Banana, and of course Big Mountain County.

How you have become musicians?
As for many other musicians: listening to music at home, trying to play any instrument and finally being completely captured by the desire to play over and over.
Your hometowns are Catania, Bari, Pescara, Rome. There are long distances between these cities. How you have got together? You understand each other without problem, or there are difficulties because of the language differences?
We come from different and quite far towns, but there are no particular language differences. So no communication problems. Alessandro and Bruno have met each other in Catania, their common hometown. They met Bob in a music festival, where they were performing with their respective past bands, Bruno and Alessandro with “The Boliers” and Bob with “The Ultra Twist”. A few years later, they all moved to Rome, where Alessandro and Francesco met each as roommate. They began playing guitars and writing songs together and soon they decided to start a new band, involving Bruno as drummer and Bob as bass player. We believe that the difference between our origins is one of the keys of the band. Alessandro and Bruno come from Catania, a hot and spirited city, Bob comes from another lively and dynamic town, whereas Francesco comes from a quiet village close to Pescara. These differences reflect on our music styles. So yes, we have different languages, but just “musical languages”. However, this is not a problem, but an unbelievable resource, since playing and writing together is a continuous mutual exchange, which every time creates new songs, new sounds and new atmospheres. We definitely like to be different but to appear as a unity on the stage.
You spent a month together to produce a better sounding in a house on the base of Etna. Was the session successful? Could you use that under ground latent energy?
Definitely yes! We live in Rome, a huge and chaotic (besides beautiful and unique) city. Sometimes we need to escape from the rhythm of the city life in order to find new inspirations. Therefore, when we had to complete our first LP Breaking Sound, we decided to stay a month in a nice house on the base of the Etna, where we had more time and the right atmosphere to write new songs and find out new sounds. Those days were relaxing, inspiring and stimulant. That was the right place in the right moment.
In some songs (e.g. Brain Machine) I have discovered the strong influence of Butthole Surfers. Are there accidents, or are you also big fans of those funny guys?
We know Butthole Surfers and we like their music. Anyway, we do not know if they directly influenced some of our songs. As said before, we are four and we have various and very different musical influences.
Psychedelic music is very trendy nowadays, almost every second village has a psych fest. What do you think about this revival?
We like psychedelic music, we play psychedelic music, so we follow the trend… Psych music surely is not new, but we believe that many bands are proposing new different, modern and interesting interpretations. We think that this kind of music can be fully expressed just during live shows. Therefore, we promote the spread of psych fests and we hope every second village will have more than one psych fest. We are so sure about this that we are contributing to the organization of the first Rome Psych Fest, which will be held in next October.
As band what was your biggest show experience?
We had many unforgettable shows, but if we have to choose one, that is Sarajevo in 2013, during our first European tour. We were very far from home, not only because of physical distance, but also because of history and culture. However, we felt at home. People got really involved by our show and our music. The atmosphere was perfect, in poor words, unforgettable.
Where is Big Mountain County geographically?
As for songs, pictures, or poems, each can have its personal idea about the Big Mountain County. Therefore, we cannot say where it is. In our minds, it is probably on an island, close to the sea, full of sun and green lands. Do you know any place like this?
What are your plans for the future?
In this period, we are promoting out live CD Anachronicle, out for Area Pirata Records. In the same time, we are writing new songs to record our second studio LP, which will be more psych and experimental than “Breaking Sound”. Our idea is to record in autumn and release the album at the beginning of 2017. Meanwhile, in next October, we will share the release of a 12 inches split, out for Annibale Records with the Italian band “Lame”, a project of Stefano Isaia from Movie Star Junkies. It will contain two new tracks by Big Mountain County, one to dance and one to dream.
And for the past? What would you change in the history if you could?
To answer this question is not easy. Everything could be better, but worse also. We think that what is done is done. Fortunately, just music and songs remain. We prefer to learn from the past in order to make the future better.
pic: Gyerage. More BMC at RNR666 Party in Budapest pics

There was a pretty boring „dream-pop outfit called Mezzanine Owls” in LA. Two of them (Zeitlin – guitar, Mu – drums) have founded ALPINE DECLINE, moved to Beijing to teach on Communication University of China, and reborn as a thrilling
nightmare pop / smokegaze / rust punk / acid greenhouse band
New album Life’s a Gasp by Maybe Mars Records (China)

New album Post Plague by Felte Records (US/EU), Telephone Explosion (Can), Geertruida (NL)
IN EUROPE Jul 16 Patronaat, Haarlem, Netherlands – Jul 17 Centrum Den Haag, The Hague, Netherlands – Jul 19 Kinky Star, Ghent, Belgium – Jul 20 The Waiting Room, London, United Kingdom – Jul 22 Super Sonic, Paris, France
Galaxie 500 was an influential American indie rock band between 1987 and 91, and released three albums. Somebody said their music is such as if Jonathan Richman (The Modern Lovers) would be backed by The Velvet Underground.

The Blog That Celebrate Itself Records in Sao Bernardo, Brazil just has released a „name your price” tribute album. You can find there indie, dreamy, psychedelic rock, for example also by a big favourite, the Mexican psychedelic rock duo Lorelle Meets The Obsolete. While I was listening to the album just lay on my bed, sometimes dropped off a little, sometimes sipped my beer, and said: so good. Because it is long enough, it is perfect for longer snoozes too.
SURF HARP plays – they say – fuzzy artcore. It is something weird eclectic funny pop music. It has started as a personal surfgaze project of Phil in Baltimore (Maryland, US), but

Chris: Aaron, Dennis, and I were recruited to perform the Galápagos EP songs live, and eventually Jeff was too, and we were just playing what was already there. Then, with playing new songs as a group, the material evolved differently, especially because we were playing live pretty often and tweaking the songs as we went along.
Their music is inspired by
Jeff: In terms of my bass playing and songwriting, I am inspired by a wide range of artists. Everything from Scott Walker to Pavement to Mingus to Aphex Twin. It is difficult to explain the direct effect that this inspiration has on my songwriting. I never say “I really like Neu!, how can I write a song like „Hallogallo”. But I guess the verses of „Pomegranate” are a direct result of my love for Krautrock.
Phil: The biggest influences for me on the songwriting and tones of the album were probably Devo and Ween. Actually, there was one part during the mixing where I asked Mat to pitch shift the rototoms on “Pain Kills” to sound like the opening of Mayhem’s album Deathcrush.*
Moreover there are violin, cello and marimba on their first album which has been released on CD and cassette by Friends Records (US). When I was listening to it two bands came to my mind: Brattleboro (Vermont, US) art rockers Happy Jawbone Family and early Unknown Mortal Orchestra.
*From an interview on bmoreart. Listen to all from SURF HARP! I love them.
In my mind there are some cases when a band suddenly changed radically its style. For example when hc/punk Beastie Boys changed to hip-hop in 1983. When new wave synth pop Ministry became an industrial metal act around 87. When Metallica lost himself in 90. When one of the most thrilling thrash metal bands Voivod made a psychedelic rock album Angel Rat in same year. When industrial band Laibach became a successful cover band first, and then became a synth-pop band during the years gradually. And now here is the long awaited new Lantern album Black Highways and Green Garden Roads. And as if it were made by an other band.
After their sensational wild rock’n’roll album they have released an easy, almost distortion free, sometimes dark psychedelic folk rock album, „taking ideas from the work of Hieronymus Bosch, Carl Sagan, and Mikhail Bulgakov”. „It’s an exploration of the natural world and the cosmos, and a celebration of the wonderful, the serious, and the absurd.” They also said that it’s a result of many oversteeped pots of black tea.
It was recorded at The Bottle Garden, a home studio in Montreal filled with vintage gear and an array of instruments during 22 non-sequential days over a year and a half in 2013/14. More so than previous recordings, it is a collaborative effort born of studio improvising and collective exploration. They used new, unfamiliar instruments, such as organ and kalimba, and they experimented with tape loops and group harmonies.
Really fine songs – except for the cover version of Solomon Burke’s Cry To Me from 1962. It’s a mistake, just like the Rolling Stones’ version. (Listen to the original one.) The songs come Roy Orbison, 60s Rolling Stones, psychedelic era Voivod, and Illés (Hungarian beat legend) to my mind. And there is the bass theme of Dead Kennedys’ Holiday in Cambodia in the song We Are Here:
But the album is too long. And unfortunately badly edited, so it is hard to listen from first to last. It would have been better if there an LP with 10 songs and an EP with 4 (He Is A Pinball; Wait, Wait; Cry To Me; We Are Here Again) had been released.
Cassette by Fixture Records (Can) & LP by Sophomore Lounge (US)
Listen to it here
Tomorrows Tulips has been formed as a duo because Alex’s girlfriend „Christina said something about hating to go to Paul Mitchell hair school and I asked her what she always wanted to do. She said she wanted to learn drums but thought that was ridiculous.” At that time Alex was in the garage rock band Japanese Motors.
He was sixteen or seventeen the first time he heard the Velvet Underground box-set. „I remember listening to Velvet Underground and the out-of-tune guitars and there was such a sense of freedom to it. I think I heard them and thought, I wanna do that.” And he does that.
Today the band is a trio, but the drummer is Jennifer. They are difficult egomaniacs, coming from Costa Mesa, Orange County, California, and play esoteric doo wop grunge, and you will hear really cool bass if you click now
from iNdy rock royalty comb 12″EP on Burger Records (US)
European Tour May June Belgium France Spain Portugal Italy Switzerland UK

After Footscray and Lower Plenty now you can get acquainted another suburb of Melbourne, Doncaster, by Dreamin’ Wild. Doors influenced easy Aussie psychedelic suburban pop or „what ever you want to call it”
from forthcoming 7″ by Moontown Records