A következő oldal a nyugalom és a közízlés megzavarására alkalmas!
Böngészését kizárólag:
látogatóknak ajánljuk!
Ennek tudatában:
„Miközben a bulinegyedben kábé negyedévente változnak a trendek, tolódnak el a hangsúlyok, addig a RNR666 maroknyi csapata lassan tíz éve szervezi a minderre fittyet hányó bulijait, a világ minden tájáról idehívott, majd örömmel visszatérő garázs, punk, blues és mindenféle elbaszott, fura zenekarokkal.” (urbanplayer.hu)

Jellemzésükre legegyszerűbb azokat idézni, akik már látták őket: „Elképesztő, amit művelnek.” „ROCK AND ROLL, csak így, nagybetűkkel.” „Nincs mese, ők az új Cramps.” „Egyszerűen nem akartam, hogy abbahagyják.” „Hetekig bennem volt a svung, amit tőlük kaptam.” „Őrült éjszaka volt.”
A Gustave Tiger, Moog, és Hammer of Gods tagok alkotta alternatív zenei szupergroup első, és egyetlen koncertjét adja! Garantáltan bio, kézműves, eredeti garázs rock and roll, közvetlen a termelőtől. Olyan, mint az egyik legjobb magyar rock zenekar, a Gustave Tiger. Csak egy kicsit jobb.
Mivel a tetőn a koncerteket 10-re be kell fejezni, ezért a pontos kezdés: 19:00!
Tíz után a buli 6 csaj DJ-vel folytatódik hajnalig. Őrült éjszaka lesz.

A new photo album with 134 historic images at deluxe size by Dust to Digital. A book with lots of found images. Among those aren’t photos of Bill Hayley, Elvis Presley or any usual person, but there’re ordinary, nameless men, women, and children. Most of the people in the photos wouldn’t have heard of rock’n’roll, much less thought of themselves as rock’n’roll progenitors. Instead, the images capture the gangly musicians, the giddy dancers, and the drunken antics found in smalltown America from the 1930s to the 1960s and beyond. All the musical genres that influenced what we know of as “rock” are represented: everything from jump blues and gospel to boogie woogie and Western swing.
The author, Jim Linderman says: “We have this notion that rock’n’roll started in Memphis in 1955, and it really didn’t. Bob Wills was playing in the ’30s and ’40s in Oklahoma, and Chuck Berry modeled Maybellene on a Bob Wills song. The roots of rock go back a lot further than we realize. It came from the church, from vaudeville, from the music played in after-hours clubs, from juke joints. The whole point was pretty much to get together, get drunk, and get laid. That’s the real history of rock ’n’ roll.”

As Muddy Waters said, “The blues had a baby and they called it it Rock and Roll.”


„Hooky has seemingly been the only constant in my life” – Pete Mazza v/g

Absolute home made garage rock and roll by Jacques Le Coque. Essence of their second album Hooky:
Home Heart Blues
Ruler Of My Heart Just Last Night Stay With Me
Don’t Wanna Fight, I’m Gold, Dead & Gone
Here’s My Own Wizard Stuff, Can’t Keep Away
Pass It Around, Get it here:
or buy a cassette from King Pizza Records (US), and „skip school, ditch work, and come play hooky with us!”
Some people say: it’s Howlin’ Wolf with Venom, others say: just like The Stooges, Dead Kennedys or AC/DC.
„We’re just playing blues. Robert Johnson sold his soul to the devil at the cross of road 61 and 45 in Clarksdale. We have contracted with him at the corner of Fleminginkatu and Vaasankatu in Helsinki. We’re in Robert’s league.” As guitarist Robert Johnson made the biggest impression on blues music.

RNR666: When, where and WHY did BM6 form?
Yukka (g/v): Black Magic Six was found 2006, but we count our birthday form the first gig 14.2.2007 in Chemnitz.
Why we put up the band?
Maybe we were just bored, hehehe.
I heard originally a lot more people were going to play in the band. Would the band’s name really have been J- Tan & the Black Magic Six? And so would there have been seven of you in the band? How did you finally become a duo?
That´s true. Originally we had some dudes from Damn Seagulls, The Mutants and Disgrace playing in rehearsals, but pretty soon we realized non of these guys came to rehearsals. Then there was just me and Japandeer in rehearsal room. I went to local music store and bought distortion pedal and octabass pedal and the sound of BM6 was there.
Jukka, what’s the deal with your other band, the Disgrace? I found an issue of the Hungarian Metal Hammer zine from 91 or 92, and they were already writing about you! (They also wrote about Japa’s old band’s – Sweetheart – demo at about the same time)
Well, I started playing heavy metal when I was kid late 80s. We played grindcore & death metal couple of years and got bored pretty soon. We started to play straight punkrock until last year. The band ceased all activities January 2015.
This is the seventh time you are visiting Hungary, and you are playing here since your first album. How did you get to know people here?
We were counting sixth time, but you are probably right, ´cos we are old sods and it´s hard to remember what happened yesterday. The basic reason for our tourin’ was Myspace. When we put our music there 2006-2007 we got shit loads of response all over the world – also Pali from Hungary. People asked us to play all over the world, so we did – and still do that, even though Myspace is pretty dead.
What is the first thing that comes to your mind about Hungary? If I am not mistaken, besides Budapest you also played in Debrecen, Szolnok and Miskolc.
We haven´t played Debrecen yet, but gonna do that this Friday. First thing coming my mind from Hungary is the venue in Miskolc and how the guys did the load into the venue. It was in basement, there was a window about three meters high from the floor – and this tall guy took shaky ladder, and guys upstairs gave him big Marshall cabinets thru window – and this dude single handed took Marshalls in his lap, on shaky ladder and took them down one by one. That was scary shit…
You know Hungary pretty well (besides the region west of the Danube). How were these gigs outside of the capital?
Loved to play in Szolnok and Miskolc. Especially Tomi Pub from Szolnok is always in our hearts. Friendly people, good atmosphere, drunk and having a hell of a party!
You have a song called “Imre you are a punk’”about Imre Antal (RIP), the unforgettable Hungarian TV personality. What is the story behind this – how does a Finnish band know about Imre Antal?
Defekt Dudes present
Billy Jeans (g/v): It’s not always easy to identify an artist who’s on your level:

Billy Jeans: I’m excited about the band we’re touring with in Europe, who I’ve never met. A dude who was a fan of Mean Jeans gave me a cassette tape in Chicago of a band that he likes, not that he’s associated with. They’re called Nancy. It’s a two-piece, kind of Ramones-y but total rock ‘n roll band. I asked them, I’ve never met them, but I asked them if they wanted to go to Europe with us, so in mid-March we’re going to Europe with those dudes:
a Green Day with Hüsker Dü
postpunky
If you like The Marked Men, White Wires, Ramones, Jay Reatard, Mind Spiders, NoBunny, Spits or Wavves you must go there! Facebook event Full Billy Jeans interview

1. Another Lie 2. The Past, the Present and the Future of True Heavy Metal pt.1 3. Suck the Poison Out 4. I Hate People 5. Beaver Killer 6. Homerun 7. Down by the Water 8. Kyllikki Saaren Murha 9. Total Dunkelheit 10. Huda 11. Doomsday Bound 12. The Past, the Present and the Future of True Heavy Metal pt.2
SHOWS IN HUNGARY THIS MARCH
26. BUDAPEST 27.DEBRECEN 28. SZOLNOK
Egyik bevallásuk szerint zenéjükre három fogalom nyomja rá a bélyegét: Sátán, Punk, Venom. Máshol viszont így nyilatkoznak: „Mi bluest játszunk. Robert Johnson a 61-es és a 49-es országút kereszteződésénél Clarksdaleben kötötte meg a maga alkuját az ördöggel. Mi a Fleminginkatu és a Vaasankatu sarkán Helsinkiben. Robert ligájába tartozunk.” Robert Johnson a legnagyobb hatású blues gitáros, aki valaha élt.
A BM6 hangzásában egyesek szerint a legendás bluesman, Howlin’ Wolf, és a black metal stílus alapítója, a Venom ötvöződik. Mások Iggy Pop zenekarához, a Stoogeshoz, a Dead Kennedyshez vagy az AC/DC-hez hasonlítják őket.
Some people say „It’s Howlin’ Wolf with Venom”, others say „just like The Stooges, Dead Kennedys or AC/DC”
„We’re just playing blues. Robert Johnson sold his soul to the devil at the cross of road 61 and 45 in Clarksdale. We have contracted with him at the corner of Fleminginkatu and Vaasankatu in Helsinki. We’re in Robert’s league.” As guitarist Robert Johnson made the biggest impression on blues music.
BLACK MAGIC SIX HUNGARIAN DATES
BUDAPEST 26, DEBRECEN 27, SZOLNOK 28 of March
Pali: The band was formed in 1999. How should I picture The Experimental Tropic Blues Band of the day and how were the concerts?
Boogie Snake (guitar): We haven’t changed too much, except that we don’t play neo blues the way we used to. We’re more a surrealist para-rock band now (or Belgian handi-rockers). Concerts were really fun, it’s rare when we don’t enjoy them!
Your line-up hasn’t changed, a rare thing. Do you click so well?
We do.We’re friends since high school and like the same kind of music in general. We tried to play with additional musicians, but it didn’t work that well.
You look like common and regular guys but you do get wild on stage as seen in Electric Cock’ video. What the bloody hell was that?!
LoL, yes I know what you mean. The electric dick is a way to prove that you can do music with anything! Even with your cock! Things went crazy when we played that song (Garbage Man, revisited). Dirty Coq (guitar, vocal) had also a few troubles with the cops in certain places.
You shared the stage with anyone around the place. Who were the ones who made you say: „wooow these guys really kick ass!!”
This set has been made like the first broadcast of a weekly radio show for a Hungarian radio station, but it didn’t play this, and the plan of a weekly radio show with various songs just from brand new records stayed in my head. So I’m looking for an internet radio station for my show. If you want it please write: magazin AT rnr666.hu.
1. Experimental pop by Chinese American guitarist and Japanese j-pop diva: Dustin Wong & Takako Minekawa – Dimension Dive part 3: Deep Sea Dance (Thrill Jockey Records) 2. Keith Richards’ daughter’s favorite: Natural Child – Don’t Time Pass Quickly (Burger Records) 3. Aussie electro Nun – Evoke The Sleep (Aarght Records, Avant Records) 4. Aussie seagaze Rat Columns – Pink Mist (R.I.P. Society) 5. Canadian chaos brigade: Odonis Odonis – Mr Smith (Buzz Records) 6. “It’s noisy, with keyboards, you wouldn’t like it”: Gentle Friendly – Cloudbusting II (UK, Fat Cat) 7. Atlanta king of garage soul: Curtis Harding – I Don’t Wanna Go Home (Burger) 8. Mix The Fall with Velvet Underground: Parquet Courts – Black and White (What’s Your Rupture Records) 9. Hungarian historicist and liturgical garage rock: Gustave Tiger – Mary of the Seas 10. San Franciscan eclectic pop: Deerhoof – Exit Only (Polyvinyl) 11. Swiss-Canadian art punk or not: Peter Kernel – High Fever (On The Camper) 12. Swiss funeral folk: The Dead Brothers – Black Train (Voodoo Rhythm) 13. A Tasmanian poet with keyboards: Peter Escott – I Believe in Devil World (Bedroom Suck Records) 14. Notorious English art punkers: The Fat White Family – Touch The Leather (redux) (Hate Hate Hate Records) 15. Parquet Courts’ side project: Parkay Quarts – These Boots (What’s Your Rupture) 16. Traditional Columbian jazz punk chaos: Ensamble Polifonico Vallenato – Son (Staubgold) 17. Poet, playwright & rapper: Kate Tempest – Lonely Daze (Big Dada Records) 18. English countryside doom surfers: The Wytches – Gravedweller (Heavenly/ Partisan/ Dine Alone) 19. American traditionalist Luke Winslow King – Levee Man (Bloodshot Records)
Another sample The „out now” is just a temporary title.
Pali: 1999-ben alakultatok. Hogy kell elképzelni az akkori Experimental Tropic Blues Bandet, és hogy kell elképzelni egy koncertet?
Boogie Snake (gitár, ének): Nem változtunk túl sokat azóta, kivéve, hogy már nem játszunk neo bluest úgy, ahogy akkor. Leginkább egy szürreális para-rock banda vagyunk, avagy belga nyomi-rockerek. Koncertjeink mindig nagy bulik, nagyon ritka mikor nem élvezzük azokat.
A kezdetek óta nem változott a felállás, ami azért nem túl gyakori. Ilyen nagy az egyetértés?
A főiskola óta vagyunk barátok, és általában ugyanazokat a zenéket szeretjük. Próbálkoztunk plusz emberekkel is, de nem működött valami jól.
Egészen hétköznapi, normális figuráknak tűntök, de a színpadon azért meg tudtok őrülni. Láttam egy videót „Electric Cock” címen. Az mi a franc volt? Tovább / Read more »


ROCK’N’ROLL, BLUES, PUNK, GARAGE ROCK
Nagyon örülünk megint!
Annak, hogy ilyen vadállatokat láthatunk vendégül, mint ez a három, első ránézésre egész normálisnak tűnő belga. Tizenpár éve bizonyítják Európa és az USA klubjaiban és fesztiváljain ennek az ellenkezőjét. Mármint azt, hogy nem egészen normálisak. Sajnos itthon nem túl ismertek, bár lehetnének. Csak azért gondolom így, mert mondjuk, tegyük fel, a Jon Spencer Blues Explosiont szerető kb. ezer jó magyar emberből 999-nek muszáj, hogy tetszenek ezek a belga srácok is! Hisz hasonlóan tömény, sok mindenből táplálkozó modern rock’n’rollt játszanak ők is.
A zenekar 1999-ben alakult Liégeben, unaloműzés és szórakozás gyanánt. Állításuk szerint 2006-tól vált komollyá az egész. Akkor indult be az igazán intenzív turnézás, és jelent meg második nagylemezük, a Hallelujah, egy jó erős bluespunk/rock’n’roll album, bár az egyik számban (Garbage Man) már ott van a Suicide (szinti-punk alapzenekar a 70-es évekből) hatása. Pontosabban ez a dal a Suicide és a Cramps összegyúrása. A lemez nyitószáma:
A következő nagylemez a Captain Boogie. Na itt már elszabadulnak a dolgok. Millió hatás érezhető, Bo Diddleytől Bob Logig, Hasil Adkinstől a Jon Spencer Blues Explosionig minden. Feltűnik egy kis hip-hop, egy kis funk, némi cajun (amerikai francia folk Lousisana mocsaraiból), és persze BLUES! De miután végighallgatod a lemezt az marad meg benned, hogy ez egy jó tömény rock’n’roll album volt. Tovább / Read more »